Describes how having students draw both their own and a literary character's reality not only introduces students, quite painlessly and concretely, to a large number of literary terms, but also suggests that literature appreciation demands an imaginative extension into the life of another. (MM)

Presents nine avenues to self-renewal for the principal who needs constructive activities to escape from stress and burnout. (Author/WD)

Discusses ways that elementary music teachers can design class activities which will meet individual needs of mainstreamed special students. Activities described encompass a wide range of difficulty and provide opportunities for individualized, small-group or out-of-class instruction and for creative response. (AM)

Discusses materials available to the teacher who wishes to incorporate creative dramatics, music, art, film, or a combination of arts into language arts instruction. (AEA)

Described are improvisational activities based on the Orff-Schulwerk teaching technique which include: sound and movement; sound and movement plus visuals; interpretation of designs from nature, architecture, paintings, rotating rondo, singing hands, and moving from words to song. Pictures of children participating in these activities are…

The author describes the three-phase process of musical creativity (exploratory, invention, organizational), identifying activities in each of the creative phases. Included are vocal impression, picture sounds, chord tones, and name improvisation. Selected readings and recordings are included. (KC)

Briefly described is a sculpture project wherein all activities were related to Transportation Week. The Maplewood Community Services' Mobile Arts and Crafts Unit visited seven area playgrounds daily for eight weeks one summer, presenting new media, concepts, and experiences for children of all ages. (KC)

Offers a number of techniques designed to challenge or alter or disrupt how a student perceives reality, thereby facilitating student development in creative thinking. (RL)

Creative dramatics offer the educator a variety of uses in the development of children's language arts proficiency and psychomotor skill level. (LH)

Describes one summer offering of the Palo Alto schools which correlates productive activities with appreciation for art. (Author/RK)

In centers for young workers, education forms a link between work and leisure; efforts are made to give young workers incentives for personal development, directed at becoming total human beings in a physical as well as a spiritual sense. (JD)

Describes potential role of flow experiences in motivating students to learn. Discusses the characteristics of flow: goals are clear, feedback is immediate, skills match challenges, concentration is deep, problems are forgotten, control is possible, self-consciousness disappears, sense of time is altered, and experience becomes autotelic. Then…

Describes creative expression workshops using myth to facilitate storytelling and drawing activities for recently arrived immigrants and refugee children. Analysis suggests that the use of a wide variety of mythic references frequently helps children better represent the gaps between home and school, past and present, and offers the possibility of…

Maintains that expense and lack of experience with glazes and firing the kiln need not prevent teachers from using clay in the classroom. Describes how author experimented with clay and fibers and subsequently devised numerous art activities for elementary school students. (KM)

Describes how the author, motivated by Esther Krichevsky's fishprints, introduced fishprinting to a middle school. Students explored the origin of fishprinting and other Japanese arts as well as learned about printmaking, collage, and painting. Maintains that, for children to grow creatively, they need freedom to experiment. (KM)