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Sherman, Sandra – Pre-Text: A Journal of Rhetorical Theory, 1993
Considers why James Magee has converted the titles (more particularly, poemlike utterances) of plastic works of art to an oral/communication medium. Discusses Magee's titles as they dissolve the frame, and hence its conventional significance as a marker of apprehensibility. (RS)
Descriptors: Artists, Painting (Visual Arts), Poetry, Rhetoric
Costanzo, William – Writing Notebook: Creative Word Processing in the Classroom, 1990
Concludes a three-part series on writing and the visual arts. Turns to the character of montage construction, pointing to examples in a wide range of media and offering ideas for introducing montage methods into the writing classroom. (MG)
Descriptors: Teaching Methods, Visual Arts, Writing (Composition), Writing Instruction
Peer reviewedLondon, Peter – School Arts: The Art Education Magazine for Teachers, 2004
In this article, the author states that the aim of drawing closer to nature is to employ the artistic processes to draw our selves--mind, body, and spirit--closer to nature. When so repositioned, our thoughts and behaviors--artistic and otherwise take on depth, grace, and richness of expression--just what we want for our life and our art. Sections…
Descriptors: Art Education, Visual Arts, Art Products, Physical Environment
McMullen, Brianna – Art Education, 2006
A result of the industrial age was a short-lived but powerful new American art movement called Precisionism, most evident in painting, but visible also in drawing, photography, and print-making, focusing on industrial and mechanical subjects. Precisionism originated in the 1920s, allied with European Cubism's fascination with shape and geometric…
Descriptors: Visual Arts, Art History, Artists, Industrialization
Smith, Ralph A. – Studies in Art Education: A Journal of Issues and Research in Art Education, 2005
In this response to Arthur Efland's article, "The Entwined Nature of the Aesthetic: A Discourse of Visual Culture" ("Studies in Art Education," 2004, 45(3), 234-251), the author acknowledges that Efland's attempt to find a middle ground between two rival versions of art education--aesthetic education and visual culture--is both welcome and needed.…
Descriptors: Art Education, Aesthetic Education, Visual Arts, Popular Culture
Passmore, Kaye – SchoolArts: The Art Education Magazine for Teachers, 2005
State standards, benchmarks, or frameworks have become a way of life for most art teachers. When they write lesson plans, they look over their state's visual art standards and insert a couple that seem to fit that lesson. The National Art Education Standards were developed and adopted in the early 1990s in response to mandates for educational…
Descriptors: Art Education, Visual Arts, National Standards, Educational Quality
Stephens, Pam – SchoolArts: The Art Education Magazine for Teachers, 2005
The Blue Man Group began in 1988 when friends Matt Goldman, Phil Stanton, and Chris Wink all living in New York--voiced their increasing disgruntlement and boredom with urban life. With a gut feeling that creativity and a tribal-like community could prosper in their metropolitan environment, the friends decided to confront the issues rather than…
Descriptors: Artists, Art Expression, Visual Arts, Theater Arts
Lankford, E. Louis – Journal of Aesthetic Education, 2002
Constructivist theories of learning and recent research into aesthetic experience suggest that most people actually benefit by instruction in various means of engagement with art, and that engagement is most fulfilling when it actively challenges, builds on, and extends the knowledge, aptitudes, and abilities of the museum visitor. This in turn…
Descriptors: Museums, Visual Arts, Constructivism (Learning), Experience
DuBois, Fletcher – Journal of Museum Education, 2006
This article is an example of the use of an autobiographical curriculum theory approach which centers on the production of multiple educational lifelines across time and subject. Reactions to and questions about a late Medieval painting at the National Gallery of Art in Washington, DC are used to raise issues concerning what it means to be taught…
Descriptors: Museums, Art Education, Painting (Visual Arts), Personal Narratives
Chronicle of Higher Education, 2006
An excerpt from the opening piece in "Everything That Rises: A Book of Convergences" by Lawrence Weschler is presented where the author is talking with Joel Meyerowitz, the only photographer granted unimpeded access to the clean-up operations at ground zero after the terrorist attacks of September 11, 2001. The two discuss the parallels…
Descriptors: Terrorism, Photography, Painting (Visual Arts), Art Products
Vizenor, Gerald – American Indian Quarterly, 2006
In this article, the author discusses the life and works of an Anishinaabe expressionist artist George Morrison. Morrison was an eminent expressionist painter with a singular romantic vision and an erudite sense of natural reason and liberty. He created an elusive shimmer of "endless space," the color and eternal motion of nature. The…
Descriptors: Artists, Biographies, Art, Painting (Visual Arts)
Ulbricht, J. – Studies in Art Education: A Journal of Issues and Research in Art Education, 2007
Although several art educators have called our attention to the importance of studying visual culture, others have widened the discussion to include material culture and its effects on our lives. Because of growing concern for the value of exploring the personal and social functions of visual and material culture, the purpose of this article is to…
Descriptors: Visual Arts, Child Development, Teaching Methods, Social Environment
Prokop, Carol – SchoolArts: The Art Education Magazine for Teachers, 2007
Visual arts rarely seem to receive the accolades that are bestowed upon other special subject areas such as music and sports. In this article, the author describes a way in which publicity could be generated for students involved with the visual arts. The mural-painting process provides a creative outlet for students and gives them the opportunity…
Descriptors: Middle Schools, Studio Art, Painting (Visual Arts), Teamwork
Hudson, Peter; Hudson, Sue – International Journal of Education & the Arts, 2007
The Australian Federal Government's call for another teacher education inquiry aims to investigate preservice teacher preparedness for teaching. Art education was selected for this study as the teaching of art education in primary schools occurs in less than ideal conditions and may often be avoided by generalist primary teachers (Russell-Bowie,…
Descriptors: Preservice Teacher Education, Preservice Teachers, Readiness, Student Attitudes
Brown, Susannah – Teaching Artist Journal, 2007
In this article, the reviewer focuses on a study of a professional development workshop and visual art studio workshops for adolescents. It is her hope that teaching artists will draw new ideas about curriculum and content from the discussion of this work and that the issues discussed here may provide inspiration for their own shift in thinking…
Descriptors: Professional Development, Art Teachers, Adolescents, Studio Art

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