Argues that educators must acknowledge that television has the power to elicit student empathy and that students want to understand television's power to move them. Describes three kinds of television analysis: individual detailed logs of text; group dialogue about television programing; and researched essays documenting and interpreting details…

Discusses the reaction of feminist students at Vanderbilt University (Tennessee) to a photograph, "Heaven and Hell" (A. Serrano), on the cover of the book "Arresting Images: Impolitic Art and Uncivil Actions" (S. Dubin). Their position that the photograph promotes violence toward women is one interpretation; another is that it…

This review of communication research on television viewing by intellectually gifted children examines the number of hours such children spend watching television, types of programing they watch, their capacity to process and comprehend program content, appropriate child role models in television programing, and mediation of television viewing by…

Two groups of gifted students in grades 5-8 were taught critical television viewing skills and video production, and a no-treatment group received only video production instruction. Students without critical viewing instruction performed just as well on a posttest of program content analysis but not as well on television form. (Author/JDD)

Five principles of media literacy help parents base their criticism of television on reason: people are smarter than televisions; the television world is not real; television teaches that some people are more important than others; television keeps repeating the same things; and someone always wants to make money with television. (SM)

In this article, the author deals with a screenplay adaptation assignment that he gave to his students. The purpose is to make readers out of some students who don't like to read, and to teach them something about film as an art form. He starts with a film entitled, "Ernest Hemingway's Soldier's Home." He used it because of the technical…

Many educators lament the UNESCO study showing that by the time the average teen graduates from high school he or she has spent more than fifteen thousand hours watching television and only eleven thousand in the classroom (Gorebel, 1998). Rather than regretting this "condition," colleges, universities, and educators of adults and children should…

Video offers an immediacy that can stimulate students' thinking. Sharing the experience of a film documentary in a classroom setting, for instance, creates a bridge between the everyday experience of students and unfamiliar new information. The human faces and voices on the screen and the comfortable structure of narrative can personalize abstract…

This student workbook provides information about mass media and invites students to consider and respond to that information. Students are encouraged to use reading, writing, researching, critical thinking, interpreting, and debating skills in their responses. The book is organized into 8 chapters: (1) "The World of Media"; (2) "Television: Is…

To raise the consciousness of adults regarding their mental and social processing of popular media, specifically movies, a course was implemented through a Colorado Episcopal parish's adult education program. The course was designed to show students how to better understand the ways in which their presuppositions create meaning in what they view…

The teaching of media texts as a form of textual construction is embedded in the assumption that audiences bring individual preexisting dispositions even though the media may contribute to their shaping of basic attitudes, beliefs, values, and behavior. As summed up by D. Lusted, at the core of such textual construction are basic assumptions that…

Four different principles of visual manipulation constitute a minimal list of what a visually "literate" viewer should know about, but certain problems exist which are inherent in measuring viewers' awareness of each of them. The four principles are: (1) paraproxemics, or camera work which derives its effectiveness from an analogy to the…

What is the value and what are the consequences of students gaining access to "critical" academic discourses about the media? Ideally, the acquisition of an academic discourse should make it possible for students to reflect on their own experience in a systematic and rigorous way. Nevertheless, a critical discourse about the media may…

Students in a "Literature and Ideas" introductory literature course at the University of Pittsburgh gathered a wide variety of interviews, articles, and other texts that circulated around the film "Dangerous Liaisons" to build a shared text on the popular reception of the film. One student, in particular, made sense of the work…

Composition instructors need to emphasize to their students that persuasion is not always announced--it can be forcefully present in so-called "objective" forms of discourse like textbooks and news. News photographs can be successfully used in the composition classroom as a unit of study in visual rhetoric to introduce students to the…