Raises questions about the epistemology inherent in composition studies, especially with regard to the issue of modeling. Investigates the usefulness and implications of modeling theory for contemporary composition study. Provides a context for discovering what it means to construct models of writing processes. (HB)

Provides evidence (based on studies of college-entrant essays) that readers form definite impressions of the writer's personality from the text, that these impressions have an important effect on the acceptance of the writer's message, and that information about the reader's perception of the writer's personality can play a critical role in…

Investigates how college students in an upper-division professional writing course respond to user input at the draft stage of writing computer documentation. Finds that writers perceive user input in different ways and suggests that draft-stage user testing produces better documentation. (PRA)

Suggests an approach for expanding and integrating research to produce a history of technical writing. Defines problems that reside in writing such a history, suggests research premises and questions, and then applies these questions to technical writing as it existed in the English Renaissance, 1475-1640. (SR)

Surveys 25 people who use databases at work to discover the ways in which social and organizational factors affect users' tasks and their acquisition of knowledge and skills. Finds that learning to use databases for complex tasks in work entails more than simply learning concepts and procedures for executing program functions. (PRA)

Discusses the ongoing dialogs concerning paradigm shifts in education, especially with regard to English instruction. Describes one teacher's experiences with the issue of paradigm shift in the form of a blues song. Shows how teachers can move beyond the questions of paradigms. (HB)

Describes the varieties of "Writing Fellows" (curriculum-based peer tutoring) programs. Provides help for starting such programs. Presents results of a survey of WF programs. Offers observations based on the experiences of the director of a six-year-old Writing Fellows program. (RS)

Describes revision as practiced at a major scientific research and development laboratory. Shows how scientific authors, technical editors, colleague reviewers, and supervisors team up in a collaborative approach in which editors provide substantive revisions early in the collaborative review process. Argues that editors should become involved at…

Compares the grammatical structure of original press releases with the resultant placements in daily newspapers. Finds that, in their use of press releases, journalists almost always have to make them simpler, shorter, easier to read, and less passive. (SR)

Argues that guidelines are required if a team of technical writers is to create consistent, usable online information. Examines research on screen design, schemata, and readers' styles. Concludes that online help information should be easy to access, structured with different levels, specific to the situation, consistent, and concise and easily…

Analyzes postings from a database users' help bulletin board. Finds that technical instructions should concentrate on likely errors that users may commit and how they can overcome and learn from them; provide may procedural options at once; give minimal conceptual and much procedural information; and integrate troubleshooting with task procedures.…

Indicates why a dialog between the fields of linguistics and literary study has been limited in the past. Argues that recent fundamental changes in both domains give reason to think that conditions are now much more auspicious for concerted interaction, which would prove useful and important. (HB)

Examines preconceptions of four proposal developers about three factors: effective and ineffective collaboration; gender's effects on collaboration; and gender's effect on persuasion. Finds the discourse techniques used by men and women do not parallel a person's gender. (RS)

Suggests that cohesion is best understood as a general perceptual phenomenon rather than a purely semantic one. Discusses three types of structural cohesion based on an analysis of technical texts: cohesion produced through thematic progression, parallelism, and graphic devices. (SR)

Examines whether writers who can create vivid mental images experience intense emotions as they write. Finds that imagery contributes to the intensity of a writer's engagement with his or her evolving text and that imagery may bridge the cognitive and affective domains of thought. (PRA)