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Thiele, Harold E., Jr. – Library Trends, 1990
Adapting the principles that have evolved in the development of heraldry to current needs, an algorithm was developed to aid in the description of graphic designs. It provides an efficient method of describing trademarks, logos, and other designs so that they can be found quickly using mechanical searching techniques. (26 references) (EAM)
Descriptors: Algorithms, Graphic Arts, Online Searching
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Wallraff, Martin – Visible Language, 1997
Discusses the history of Greek typography, focusing on the first book to be entirely printed in Greek in 1476 and the series of new typefaces that resulted. Cites Milan as a center of Greek printing in the early history of Greek typography. Describes a revival of one of these typefaces created under the name of Milan Greek. (PA)
Descriptors: Graphic Arts, Greek, Written Language
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Hopperstad, Marit Holm – International Journal of Early Years Education, 2008
In this article the author focuses on drawing-related interaction among 5-6-year-old children in two Year One classes in Norwegian primary schools as they engage in teacher-initiated learning activities involving drawing. Inspired in particular by Gunther Kress' semiotic perspective on drawing, the author presents four interaction categories to…
Descriptors: Semiotics, Teaching Methods, Peer Relationship, Childrens Art
Neiminen, Jerrold A. – Ind Arts Vocat Educ, 1969
Descriptors: Comparative Analysis, Educational Programs, Graphic Arts
Vequist, David G. – Ind Arts Vocat Educ, 1969
Descriptors: Chemistry, Graphic Arts, Paper (Material), Tests
Hill, Rita – Sch Arts, 1969
Descriptors: Art Products, Creative Art, Graphic Arts
Papas, Robert F. – Ind Arts Vocat Educ, 1970
Stock cutting, folding and perforating, stitching and padding, and suggested projects are described and recommended for inclusion within a graphic arts curriculum. (GR)
Descriptors: Graphic Arts, Industrial Arts, Laboratory Techniques
Scholl, Phoebe K. – Sch Arts, 1970
Descriptors: Grade 1, Graphic Arts, Visual Perception
Vaux, John H. – Sch Arts, 1970
Descriptors: Graphic Arts, High School Students, Sculpture
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Rand, George; Wapner, Seymour – Studies in Art Education, 1970
Descriptors: Art, Graphic Arts, Motivation, Student Motivation
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Storkerson, Peter – Visible Language, 1996
States that in "The New Typography," Jan Tschichold explicates a functionalist and information-based theory of typographic design and demonstrates its application in numerous typographic examples of varied genres. Outlines Tschichold's typographic position; analyzes his style of visual communication; and considers subsequent developments…
Descriptors: Design, Graphic Arts, Layout (Publications), Modernism
Gamliel, Sandy – Occupational Outlook Quarterly, 1988
Provides occupational information about computer-assisted graphic design including educational requirements and job expectations. (JOW)
Descriptors: Career Choice, Graphic Arts, Occupational Information
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Plaisant, Catherine; Shneiderman, Ben; Mushlin, Rich – Information Processing & Management, 1998
Proposes an information architecture for personal-history data and describes how the data model can be extended to a runtime model for a compact visualization using graphical timelines. The model groups personal-history events into aggregates that are contained in facets, crosslinks are made, and data attributes are mapped. (Author/LRW)
Descriptors: Graphic Arts, Information Utilization, Models, Visualization
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Nieviadomy, Jinny – School Arts: The Art Education Magazine for Teachers, 2004
A truly inspirational form of art is not always displayed on gallery walls. It can be found by looking out the window, down the street, at the edge of town, or even on the train tracks. This teacher finds it rare to hear people--except graffiti writers themselves--speak about graffiti as a form of art. Graffiti writing is usually equated with…
Descriptors: Art Education, Art Activities, Graphic Arts
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Erler, Carolyn – Studies in Art Education: A Journal of Issues and Research in Art Education, 2008
This article compares the Beehive Collective's "Plan Colombia" to a museum exhibition representing the official U.S. position on Plan Colombia. Through a dialectical (Kellner & Share, 2007; Greene, 1988) reading of "Plan Colombia" and "Target America," I examine how each uses visual narrative to promote a…
Descriptors: Museums, Exhibits, Art Products, Graphic Arts
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