Author investigates the nature of creativity, specifically the who, what, how, why, and where of creativity. (Author/RK)

First itemizing the barriers to creative thinking, the author proceeds to suggest brainstorming, morphology, and a method of alternating circles as procedures to encourage creativity. Courses in problem-solving have proven successful. (AG)

Attitudes acquired by a child in his early school years influence his later decision to continue schooling or drop out. The Creative Problem Solving Class students are given an opportunity to progress at their own pace. Every creative process is utilized, and a better self-image is the result. (CK)

Selects samples of children's poetry to illustrate the joy they find in it and the sensitivity and realism with which they see their worlds through it. Bibliography. (MD)

A patterns task consisting of six stimuli, three presented in two-dimensional form and three presented in three-dimensional form, was administered to 47 preschoolers. Findings demonstrate the importance of developing measures of original thinking that are specifically appropriate for use with preschool children. (Author/RH)

Discusses the roles of visual thinking, visual rehearsal, and introspection in educational technology, and suggests that instructional designers should externalize their internal representations and involve the internal and external representations of content specialists and learners in the instructional design. Fifteen references are listed. (MBR)

Two sets of stimuli on the Unusual Uses task varying in familiarity were presented to 78 preschool-age subjects. Familiar items yielded greater ideational fluency than unfamiliar ones and generated both more popular and unusual responses. Increased fluency is discussed in relation to Mednick's response hierarchies and the distinction between…

A discussion of creativity focuses on its relationship with other processes within the individual. The social or personal nature of creativity is noted, as are its adaptive, elaborative, or developmental facets. Implications for teaching include the need for understanding the importance or reconciling the emotional forces of creativity with…

Teaching gifted students to think creatively may follow the AUTA model: awareness of creativity, understanding of creativity, techniques of creativity, and finally, actualization--development of creative talents. (CL)

Provides a definition of creative thinking and describes the objectives, design, and outcomes of creative thinking workshops. Gives examples of workshop exercises intended to encourage self-confidence, curiosity, and risk taking, which in turn influence the ability to tap one's potential for creativity. (SK)