Discussion of numerous films illustrating ways in which violence is presented on the screen. (SP)

Author designed a series of instruments'' which measured a level of environmental sensitivity from simple awareness through the formation of values''; details are not given, as the testing program was informal, but the results were decidedly provocative of further study.'' (Author/SP)

Describes and evaluates fifteen ideas of the value of art experience as objectives of art education; concludes that the most worthy educational objectives are (1) the development of citizens capable of responding to the entire spectrum of the visual arts, and (2) the exploration of new and better ways to coexist as human beings through the use of…

Psycholinguistics, pathology, and developmental, cognitive, and cross-cultural social psychology are cited to support the argument that the visual literacy construct has not led to useful research and defensible practice. A reconceptualization of the inherent assumptions and implications is proposed. A 68-item reference list is provided.…

Though reproductions are a necessary teaching tool, they are not substitutes for the original work of art. Through museum visits, students can be provided with the knowledge needed to experience art. By describing, analyzing, and evaluating the works of art, students become aware of the differences between originals and reproductions. (CS)

Presents and discusses the reasoning behind the National Art Education Association's position statement, "Art in the Mainstream." The statement is intended to clarify the wider value of art education. Art education is essential in developing positive attitudes toward work, in enhancing literacy, and in increasing understanding of human values. (AM)

Discusses the findings of 13 sequential studies done by Project Zero on children's sensitivity to artistic styles. Research indicated that there is a developmental sequence in artistic perception. Young children could learn to identify artistic styles but often had difficulty connecting the original paintings with small reproductions used in…

Teachers should turn the pervasive influence of television into a tool for developing critical thinking and media literacy in children. Promoting critical television viewing skills can also contribute to the achievement of other, more traditional, instructional goals. (SK)

Describes a games-based instructional kit for elementary students on visual literacy, art vocabulary, and environmental design called "The Art Connection." The kit utilizes a teaching strategy called "See-Imagine-Do" which is further described in an article on pp13-17 of this issue. (SJL)

Asserting that photography teachers must emphasize the aesthetic aspects of photography over the technical, the author outlines a field trip activity and the necessary preparation for it. (SJL)

Explains a strategy called "What Do I 'S'ee? What Do I 'T'hink? What Do I 'W'onder?" (STW) which helps students look carefully at pictures in storybooks and think about a story's character, setting, and events. Notes that the STW strategy provides opportunities for students with varying reading abilities and diverse experiences to work together…

Advocates instruction in drawing for journalists to promote functional visual literacy. Argues that journalists comfortable with basic drawing will write more vividly, handle layout problems better, and have better relationships with artists and photographers than journalists not comfortable with basic drawing. Offers instructional objectives and…

For a visual generation of students, slides are an effective learning and teaching tool and a constant stimulus for writing, reading, and speaking activities. Ways in which slides have been effectively incorporated into foreign language instruction lessons are described. (CB)

Discusses ways in which the integrated design of all the components of picture books can facilitate both visual and verbal literacy, allowing children to refine literary and aesthetic appreciation and improve their own expressive activity. A bibliography of well-designed picture books is provided. (16 references) (CLB)

Advises that teachers help journalism and mass communication students learn to interpret and create clear, effective visual messages. Argues that each introductory journalism course should explore connotations of colors, shapes, and texture in print and broadcast media. (PA)