This document, "Grade Expectations for Vermont's Framework of Standards and Learning Opportunities" (hereafter "Vermont's Grade Expectations"), is an important companion to "Vermont's Framework." These Grade Expectations (GEs) serve the same purposes as "Vermont's Framework," but articulate learning…

Ken Macrorie coined the term "I Search," which puts the writer at the center of the paper and seeks to put a human face on the data collected. Looking for a way to use the research writing assignment to help students learn to adjust their ideas to different formats by becoming more aware of how different structures can be shaped around…

In order to explore new ways of talking to and with composition students, an instructor might ask whether visual artists can teach college writing instructors about the composing process and, whether, by stepping outside the discipline, insights can be gained for more effective teaching of first-year writing students. For one instructor,…

In the struggle to find an acceptably academic voice that still felt personal, an instructor started thinking about what it would mean to say that academic writing is always autobiographical. Reading student work for how the autobiographical is presented in academic discourse, the instructor thought about how autobiographical writing could be used…

Based on a successful workshop, this book presents the basic elements of narrative and a series of exercises that offer a self-guided set of discussion topics and exercises for a writer, a small group of writers, or a class interested in the craft of narrative prose. Topics addressed in the book are: the sound of language; the narrative sentence…

The four videotapes and a viewing guide cover all the practical components necessary for establishing and implementing a successful writing workshop, including the importance of choice, creating a risk-taking environment, the difference between skills and craft, the writer's notebook, the writing conference, revision, the role of literature, and…

The ideas collected in this twentieth edition of "Ideas Plus" come from two sources: ideas submitted at an Idea Exchange session at a National Council of Teachers of English Annual Convention or Spring Conference, and contributions by readers of "Classroom Notes Plus" and "Ideas Plus." Some of the teaching practices described in this book are…

This paper offers a critical review of new approaches to genre, including the process, workshop, communication, and traditional approaches, and asks what English teaching can learn from them amidst ongoing debates about repertoire, multiliteracies, and the influence of new technologies. It argues that a flexible, participatory and critical view of…

More than a sourcebook, this fourth (and retitled) edition of "Rhetoric and Composition" celebrates the writing-teaching process, reflecting the best writing about the teaching of writing published during the 1990s. Of the 32 essays in the book, only 7 appeared in the earlier editions; 25 of the essays are new to this sourcebook. All essays were…

The elementary school teacher faces unique challenges with struggling writers, whose writing differs from that of more skilled students in both process and product. This book demonstrates how process writing and strategy instruction can be integrated to help young writers untangle the complicated writing process. The book introduces its readers to…

As a teacher it is important to write frequently and in many forms. A writing teacher finds things to write about in his teaching. The angle of intent is sometimes more important than the facts presented. The flow of writing is different than the flow of speaking. Speaking is more spontaneous where writing is more constructed. Writing can be a…

Presents a model that the student can use in analyzing the communication context of the business letter, and in composing and revising the letter. Also provides the evaluator with necessary contextual data. (PD)

Analyzes the steps in the writing of an established poet and an 11-year-old boy. An appendix provides suggestions about how to encourage meaningful revision. (FL)

Describes classroom experiments, using invisible writing which produces a carbon copy while preventing scanning during the composing process, to examine how different writing tasks differ in their cognitive demands and how the need for scanning may indicate the cognitive difficulty of the task. (HTH)

Examines what college English teachers are thinking and doing in writing courses and programs. Indicates that the teaching of writing has not been greatly influenced by new research in writing and composition and offers suggestions for bridging the gap between theory and practice. (MM)