Seeks to uncover the historical roots within English Romanticism of Peter Elbow's thinking in order to show the depth and complexity of his assumptions about writing. Implicitly refutes charges questioning the intellectual credibility of Elbow's work. (TB)

Describes aspects of Linda Flower's work used by the author in devising writing technical assistance for teams writing technical reports in the United States General Accounting Office. Discusses three brief case studies describing the relationship between the work program structure (a major barrier to audience-based writing) and the writing…

Describes an expository writing lesson, taught in the context of a modified writing workshop, that motivates needy students to compose meaningful essays. Explains that this approach promotes self-pacing and independent learning. Concludes that this method helps struggling readers see themselves as writers. (PM)

Reviews some of the theoretical and practical issues and questions that emerge when the focus turns to adults rather than traditional-age students in the writing classroom and in writing research. Looks at the writing process, textbooks, basic writing, technology, learning styles, attitudes, and voice. (TB)

Considers how computing and composition combine for a new form of interdisciplinary learning and intramural cooperation. Offers a description of the analogous processes of problem solving and programming in an introductory computer science course and the writing process typically used in introductory English composition courses. (Author/LRW)

Examines audience awareness in a 5-month naturalistic study of a fourth-grade classroom infused with technology and which valued collaboration and inquiry. Finds this classroom offered such pervasive opportunities for interaction between authors and classmates that it was difficult to distinguish between author and audience. Examines impact of…

Compares evaluation criteria for writing held in two contexts; explores the criteria used to evaluate English-language student writing by German and United States secondary school teachers; and compares the rank ordering of three essays given by teachers from these three groups. Presents results that have important implications for writing…

Argues that three familiar areas of inquiry in future second language (L2) writing research need to be investigated in more sociopolitically-oriented ways: written products, writing processes, and writer identity, and that qualitative case studies are well suited to explore the extraordinary diversity of L2 writers and writing contexts from an…

Considers how many times the English curricula overlooks the necessity for thorough revision by stressing quantity over quality. Discusses how teachers can fully integrate the writing process between various projects, tests and quizzes, and the examination of literary works to improve their students' writing skills without straying too far from…

Proposes a model for teaching oral interpretation as a literacy-based course for helping students to become more effective consumers, critics, and producers of "texts." Discusses two different sections of oral interpretation the author recently taught--the first focused on a traditional structure, and the second focused on the literacy-based model…

Shares how middle school students easily learned to use the CD-ROM for their writing and research activities. (MG)

Adds the student's theory of the writing process to three competing theories: expressive, cognitive, and social. Attempts to put writing in its proper place as one small facet of students' lives, rather than relegating students' lives to the secondary status of one more influence on their writing. (RS)

Discusses difficulties technical writers and readers have concerning proposals that define problems and suggest innovation. Suggests that when writers recognize both their own and readers' assumptions about such problems, they can adopt techniques to gain reader concurrence. (KEH)

Provides writing exercises which encourage the use of sense details to let the reader know what is in the writer's mind. Provides writing exercises for setting a mood, describing places in fiction, adding metaphors, and describing people. (MG)

Discusses an in-depth interviewing process designed to encourage teaching assistants and other teachers of writing to reflect on the ways their histories with writing affect the way they teach composition. Finds that this process initiates a forum for continued discussion about the teaching of writing. (RS)