Described is a three-day camp program where sixth-grade students were led to see the interrelatedness of various art forms--to realize that the design elements and principles working within art are related to the basic organizational tools of creative writing and music. (Author/KC)

Valgardson discusses his attitudes toward his work and toward the teaching of writing. (RL)

Teachers and parents who enjoy reading are the most potent force for developing reading enjoyment in children. Children should have easy access to attractive, well written books and be able to enjoy them without worrying about reading pace and comprehension questions. (JD)

Suggests that faculty advisers to student literary magazines attend to three areas (fiction content, feature materials, and page layout) to ensure a more balanced and successful student publication. (RL)

Describes writing assignments in which students develop paragraphs incorporating various sense images. (RL)

Tells the story of a substitute teacher's involvement with a "problem" class and her use of a student's idea as a class writing assignment. (RL)

Stresses the importance of revision in the creative writing process and presents a worksheet to be used in groups of four students to evaluate and improve rough drafts of written assignments. (DR)

Discusses a French course designed to help students learn the dynamics of good writing and become sensitive to style. The approach to teaching writing relies on in-class editing of compositions that students produce on a weekly basis. (NCR)

Presents an interview with medical doctor Richard Selzer, author of memoirs, essays, fiction and nonfiction. Discusses how a doctor must suppress and compartmentalize lust and revulsion "for certain ugly facts of the flesh." Addresses Selzer's continuing passion for writing, how he gets his ideas, and what it took for him to give up…

Argues for the value of reading and interpreting autobiographical writing in a high school literature class. Explains a teaching method whereby students are asked to choose a special passage and respond to it in their journals from a personal viewpoint. Suggests that the sharing of these passages in class builds class chemistry. (TB)

In Writers in Electronic Residence, published authors mentor and critique writing from students across Canada via the Internet. Motivation and reinforcement are the primary feedback for the youngest writers, and gradually, critiques become more specific as children's writing develops. In addition to hearing from two or three mentors, children…

This article describes an intervention study designed to enhance the skills needed in the planning and writing of stories by an adolescent with autism who was using augmentative and alternative communication and working with a typical peer. Overall, the student's postintervention story was dramatically improved over his preintervention story.…

Argues that the definition of teaching content for imaginative writing in Scotland's national curriculum guidelines is problematic and that the definitions of process and context are not sufficiently coherent to provide a sound basis for planning and teaching story writing. Indicates how the writing criteria applied to national tests of writing…

A survey of 98 college professors regarding their creative writing habits and productivity found that creative productivity was significantly correlated with the use of forced incubation (deliberate time delay to allow naturally unenhanced incubation of ideas to occur). Professors who intentionally set aside manuscripts for a period of time to…

Investigates the working memory (WM) processing and storage functions; whether WM in writing follows the same process as in reading; and the influence of WM on creative writing. Focuses on high school students (n=47). Finds relationships between WM measures and reading and writing in English as a Second Language. Includes references. (CMK)