Characterizes academic discourse. Argues for the need for some nonacademic writing in freshman writing courses. Discusses the different styles of academic discourse within the field of composition. Notes stylistic conventions of academic discourse. Discusses implications for the teaching of freshman writing. (RS)

Discusses using a vase of dead roses in a writing class to teach students to deal with emotionally charged subject matter, see beyond the obvious, use language concisely to convey a message, and strike a universal chord in an audience--that is, to communicate intimately with an audience. (SR)

Describes "Project History in the Making" in which students in the class of 1990 read letters written by members of the classes of 1940 and 1965 and write letters to the class of 2015. Notes some of the questions asked by the class of 1990 to invited guests from the classes of 1940 and 1965. (RS)

Describes how a class of 13 academically average high school students, inspired by an earlier article in this journal, collaboratively wrote a story. Notes that the students continued to revise their story even after it came back from the printers. (RS)

Describes several assignments and activities that focus on writing for "real-world" purposes, including writing to pen pals, government agencies, and for children or the elderly. (MM)

Presents five lessons designed to use art to inspire students to write. Notes that students can gain a certain focus from art but that they can also veer toward writing shapeless, rambling stories that fail to create pictures in the reader's mind. (RS)

Presents an approach to teaching various kind of business messages that helps students recognize that different situations call for different rhetorical strategies. Details a memo assignment that blurs the boundaries between message types. (HB)

Advocates the use of a portfolio approach to teaching business writing. Describes how a semester portfolio can be prepared by the student. Gives guidelines for the portfolio, suggestions for portfolio evaluation, and the benefits of such an approach. (HB)

Suggests that, despite the expanding variety of the university population, despite diversity and challenges to the literary canon, writing assignments continue to be uninspired and outdated. Describes an "Alternative Responses to Literature" course whose aim was to open up the communal readings, the forms of response to them, and the…

Reviews briefly how imagery is integral to knowing and thinking, and how perception and reason do indeed reside under the same blanket. Details two college writing assignments that require writers to engage in "imaginal processes" in proportion to their verbal process. (SR)

Discusses a writing assignment in a business writing class in which students write business letters that meet legitimate needs and will be mailed to the addressee. (SR)

Offers a solution to the limitations of using case studies in business communication classes that use the double-message approach, in which students write a context memorandum along with their response to the case protagonist, thus providing instructors with a social context for cases and additional dimensions that enhance the instructor's ability…

Outlines the many benefits of humor. Describes a reading and writing strategy to help at-risk college students reduce stress, appreciate the humor in many areas of college life, and use reading and writing about humorous college situations as a tool for developing critical thinking. Describes an application of the strategy. (SR)

Describes story ladders, a technique used to illustrate the development of story and to act as a catalyst for writing. (SR)

Explains a descriptive analysis exercise based on Chapter 99 of "Moby Dick." Notes that students are given a description of a coin, asked to draw the coin, and then freewrite about what they and their classmates have drawn. States that the exercise is intended to illustrate the relationship between objective and subjective description.…