Writing is often considered one of the most difficult skills both to engage in and to teach. Many models of teaching writing have been offered over the years. However, the tendency is for one to enact these teaching frames solely within the confines of a single classroom or a grade level at best. In addition to this, terminology for the same…

In the mid-1980s, researchers began to study writers working in collaboration. Much of this research attended to what might be termed side-by-side composing: authors working on their own individual pieces and discussing them with others as needed. Others have studied co-composing--that is, multiple authors crafting a single text--describing the…

This paper argues that compression is a hallmark of creativity, demonstrating the effect of the process of compression and decompression on the cultivation of creative potentials. This study also suggests some cognitive strategies by which creative literary compression can be encoded and decoded in the light of some relevant theories. In order to…

Constructed broadly according to the principles of musical fugue, this piece of creative writing is presented as a performance autoethnography, enacted through a multi-voiced ethnodrama between a fictionalized version of the author and two imaginary doctoral students. In successive episodes, it discusses the difference between autoethnography and…

This essay reports on the findings of a study of Swedish teenagers who have a free-time interest of creative writing in English. The essay includes extracts from interviews in which the participants explain their motivations to start their writing activity and continue with it over a longer period. Having been inspired initially by a desire to…

This study aimed to determine the effect of mind mapping on story writing skills of the students. A pre-test, a post-test, and a semi-experimental research design were used in this study. The study group consisted of a total of 86 third-grade students; 33 students from the experimental group, 23 students from the control 1 group, and 30 students…

According to creative writing pedagogies academic Susanne Gannon ("English in Australia, 54"(2), 43-56, 2019), and the Federal government-commissioned NAPLAN review (McGaw et al., 2020), NAPLAN has restricted how writing is taught in secondary schools. A NAPLAN-influenced structural approach to teaching writing has subsumed the…

This paper outlines the processes of creating a 'Storymaker Wheel', a creativity evaluation tool conceptualised with input from a children's book author, a children's book illustrator, academics and teachers, for teachers and pupils to use to support and develop their creative writing. It documents the ways in which teachers and pupils engaged…

In response to anti-Black policing in 2020 that led to the deaths of George Floyd and Breonna Taylor, Black children and teens turned to poetry as a means to channel their self-described terror, rage, pain, horror, tiredness, and need for change. Reminiscent of the poetry of the Black Arts Movement and works published in "The Black…

This paper reflects on The Maroon Project, a series of poetry and performance workshops at the Iziko Slave Lodge Museum with a group of previously-incarcerated 'Coloured' men. The project facilitated a process of Spillerian interior intersubjectivity toward a self-authorship that could 'speak flesh' by placing the carceral system under scrutiny…

Writing skills have a tendency to lose their importance day by day. In addition, writing studies with a product-based approach discourage students from writing. In teaching mother tongue, creative writing activities, considered as process-based writing approach, are among the ones that will make students feel like writing and regard writing as a…

Teaching a senior seminar on creative nonfiction led author Sarah Gompers to consider how she might help her students understand the concept of writing with vulnerability. All stages of the writing process must be explicitly taught, and this extends to something as basic as topic selection. When students are taught about vulnerability--what it is,…

This study aims to determine the effect of digital stories on the creative writing skills of primary school 4th-grade students. For this purpose, a quasi-experimental research model with a pretest-posttest control group was utilized. The data were collected in the second semester of the 2018-2019 academic year in Sanliurfa, Turkey. Prior to…

This study aims to explore the teaching of creative writing through an indigenous perspective. This study used qualitative methods based on narrative interpretation and exposure. The respondents of this study were 40 students. Data collection techniques were conducted using creative writing, picking, and interviews. The data analysis technique…

Although lexical borrowing from the English language into Bangla has been reported in the literature, not many studies have investigated the nature and the extent to which this borrowing has taken place in relation to Bangla short stories. This study examined five Bangla short stories, which were selected based on purposive sampling. Our analysis…