Discusses Janice A. Radway's "Reading the Romance: Women, Patriarchy and Popular Literature." Argues that reading educators should consider a more general premise embodied in the book: in order to understand the appeal (or lack of it) of certain books, then educators first need to understand what the books are for the students who read them. (RS)

Discusses interactive fiction (IF), a computer-based form of literature in which the reader plays the part of an important character and makes decisions affecting story outcomes. Finds that IF, with its orientation toward problem solving, encourages systematic, consciously planned metathinking, and engages students' interest. (SR)

Examines characteristics of quality children's literature by analyzing both children and adult responses to Ezra Keats' story, "The Snowy Day." Concludes that good literature calls forth a strong narrative voice from readers exploring their own realities as they read. (MM)

Argues against using fiction in an introductory technical communication class. Discusses how the two genres are written and read for different purposes, require different methods of writing, and establish different kinds of relationships between the writer and the reader. (MG)

Provides a brief glossary of key terminology used in this special issue that addresses the ethical position of educational technology in society, including author-text-reader; connotation; critical theoretic orientation; criticism; deconstruction; discourse; ends-means orientation; metaphor; and postmodern. (Contains seven references.) (LRW)

Examines and discusses research findings regarding the degree to which physics texts aid in student's understanding of physics concepts. Found that teachers' questioning behaviors, inclusion of seductive details, and the incorporation of analogies may influence student learning. (ZWH)

Uses stimulated recall to elicit a retrospective account from two alternative school students who choreographed a dance to depict their understanding of the relationship between the two central characters in a short story. Suggests that these students' account illustrates the way in which reader, text, and context participate in a complex…

Discusses the use of reading frames in teaching "The Waste Land" in India. Suggests that there is nothing more exciting in the classroom than a reading frame that affords correlated, intertextual recognitions. (RS)

Reviews studies that have explicitly investigated the "seductive detail" effect (in which a reader's attention is diverted toward the interesting but unimportant seductive details and away from the uninteresting but important main ideas). Concludes that these studies do not provide convincing evidence for the existence of the effect.…

Argues that an article by E. Goetz and M. Sadoski in the same issue of this journal is not only inaccurate in its criticisms but is inconsistent in its claims relevant to the research on the memorability of highly interesting but unimportant textual content, also known as "seductive details." (RS)

Replies to another article in the same issue of this journal concerning research on "seductive details" (in which a reader's attention is diverted toward the interesting but unimportant seductive details and away from the uninteresting but important main ideas). Reasserts that there is insufficient evidence to convict seductive details…

Presents the third part of a six-part series in which the authors respond to a ninth grader's first impressions of "Reel One," a poem by Adrien Stoutenburg. Urges readers to participate by reading the student's impressions and reflecting on the student's interpretations. (MM)

Discusses what makes fantasy writing and science fiction easy. States that, for the writer, science fiction and fantasy allow more freedom to develop the story. Asserts that science fiction allows adolescents to explore their concerns in a seemingly safe and removed way. Notes that it is difficult to write believable and consistent stories for…

Uses examples from mass culture to show the relationship of the continuum theory and the gap theory to the connection between the censorship problem and the educational value of literary reading. (SR)

Shows that organizational metaphors have a significant effect on the way writers think about readers and compose written reports. (SR)