Argues that the primary value of literature lies within the work itself, an appreciation of it, and the connections readers make to it. Discusses how a reader response approach offers one way to open the door for children to the lived-through experience of literature as art with intrinsic value. (SR)

Finds that a graphical browser (a graphical representation of the structure of a hypertext document) had no effect on recall, comprehension, or recall of text structure but that it did increase the amount of text read by users and reduced the number of nodes repeated during reading. (SR)

Reflects on a thematic section on "The Status of Women" taught in a freshmen writing class. Discusses the resistance of the author and students and the angered and impassioned writing that arises when texts challenge the ideologies of readers. (MG)

Argues that the Reading Recovery Program presents a model that allows children to interact with the semantic, syntactic, and visual cues of text based on the language they already possess. Suggests that the result is a fusion of horizons between the child and the text which brings forth an understanding of the reading process. (RS)

Maintains that children's books such as "The Secret Garden" can have a strong influence on one's life. Such books offer emotionally satisfying adventures and serve as the touchstones by which we measure all literary experience. (BB)

Examines patterns in the responses of eight second- and third-grade students as they constructed meaning from fiction and nonfiction when asked to respond in writing to different instructional tasks. Suggests that both the task and the text influence children's responses. Demonstrates that young children are capable of providing rich written…

Describes experiences with first-grade children on two "literacy walks" through the streets around their school. Argues that the print that surrounds children in urban communities can provide an excellent source of literacy conversation and learning, and that by taking literacy walks with children in their community, teachers can learn…

Uses Latent Semantic Analysis (LSA) to predict how much readers would learn from texts based on the estimated conceptual match between their topic knowledge and the text information. Shows a nonmonotonic relationship in which learning was greatest for texts that were neither too easy nor too difficult. Finds LSA was as effective at predicting…

Probes the complicity that results from the act of narrative engagement which, in a first-person narrative, can create a close relationship between the reader and the writer. Distinguishes among three types of first-person narration using the terms "immediate-engaging-first-person,""distant-engaging-first-person," and…

Addresses paper versus electronic publication, discussing the implications for reading and writing, and whether it is as easy to read from a screen as from a book. Notes that the computer medium arose from a research project to design the perfect book, the Dynabook. (SR)

Illustrates how poems engage readers in heightened experiences of the world and of language itself. Shows some of the strategies that adults and elementary students employed when reading and responding to poems: summarizing the poem, entering in and opening out, entering the world of the poem, opening to the outside world, finding rich…

Finds that textbook prefaces are used by authors both to help the audience use the book and to convince them of its value, which accounts for relevant features of prefaces: the frequent use of textual metadiscourse and the pervasive presence of evaluation. Discusses evaluative criteria used in prefaces and how they are related to the audience's…

Discusses how curriculum can be designed so that it has the transforming power to change lives and transform words and actions, especially through literature study. Describes a group of third-graders' transactions with Patricia Polacco's "Chicken Sunday" to show how a "narrative curriculum" can be transformative. Discusses distinctive features of…

Examines the author's daughter's spontaneous responses to information books, especially those responses that occurred outside book-sharing sessions. Investigates response episodes as: casual conversations, a reevaluation of facts, reflections of complex thinking, transactions between life and literature, and portraits of personal inquiry. (SR)

Discusses Margaret Atwood's "provocative and funny" short story "Rape Fantasies," and describes how, when teaching this story the author encourages students to sympathize with Estelle (the narrator) before they judge her (instead of rushing to achieve closure and begin interpretation). (SR)