Art education should be concerned with five categories of behavior: starting, orienting, assimilating, symbolizing and completing. Through these behaviors man develops his intuitive structures of comprehension, awareness, openness, and emotion. The author develops a more comprehensive model in rationale than the six models he examines. (VW)

Author portrays the educational establishment as the House of Montague and the current youth movement as the House of Capulet and asks for a marriage rather than needless tragedy. (IR)

Paper consists of two parts: (1) postgraduate distance studies at university level in technical college pedagogics, in which technical college teachers are qualified as creative personalities and undertake academic work aimed at distance education of a high value; and (2) research of the participants concerning distance education at technical…

We have not learned to experience beauty as an essential, pervasive dimension of our actions. Aesthetic sensibility represents the child in us imbued with spontaneity, imagination, and unity of soul and action. This sensibility makes it possible to reevaluate the world in terms of metaphor, image, fantasy, and dreams. (PP)

Writing researchers suggest that children should write stories in order to (1) entertain, (2) foster artistic expression, (3) explore the functions and values of writing, (4) stimulate imagination, (5) clarify thinking, (6) search for identity, and (7) learn to read and write. (HTH)

Explores some divergent attitudes toward aging, negative as well as positive. Presents a neurophysiological framework to support the belief that aging is an active and creative process. Explores physical, psychological, and sociological aspects, and identifies three factors in the creative aging process. (Author/JAC)

The educational system is an invention by people to control the life force of conative energy. It teaches individuals to deny their own creative self-fulfillment and future options, to amass authoritative abstractions, and to welcome adulthood within the parameters given by others. (Author/SJL)

The author offers these suggestions for increasing the creative component of elementary fine arts education: In art, encourage drawing, not just crafts; in music, use classical and folk music, as well as popular songs; for physical development, deemphasize team sports in favor of fitness and creative movement. (SJL)

Describes the characteristics of the visually gifted student, comparing and contrasting this type of youngster to the academically gifted student. Part of a theme issue on art education for students with special needs. (SJL)

Reviews 23 recent texts, supplements, and professional references for gifted and creative instruction at various grade levels, K-l2. Several of the titles concern education in the arts and the humanities. Appended is an index to other reviews of gifted materials which have appeared in this magazine. (SJL)

Reviews the major literature on creative processes in children that should be predictive of adult creativity, focusing on affective processes and children's play. Describes Russ's (1993) model of affect and creativity, and cognitive processes, personality processes, and affective processes important in creativity. Discusses theories of play,…

Examines six sets of data on giftedness and creativity, finding little evidence for the belief that creativity in adults is mirrored in children. Questions whether children are creative, and whether creativity can be taught. Discusses creation of transitional objects; gaps, novelty, curiosity, and exploration; puberty as a developmental marker;…

This study examined the creative development of university students by examining data (n=859) from surveys of students in Hong Kong. Results found general monotonic decline in creativity with years of study and the general superiority of verbal creativity among students of humanities and social sciences, whereas business students had the highest…