Explores ways in which "storying" and storytelling occur as an integral part of the collective creation of meaning in improvised classroom drama. Describes storying as a learning experience in a dramatic context that requires thinking in the narrative mode and about narrative as a means of interpreting and verbalizing experience. (MG)

Examines stories about organizations to view how conversants define their organizations' character and their own roles within the organizations. Finds that stories exhibit two kinds of conversational markers (action and constraint markers), and that their sequential juxtaposition is an effective thematic device for analyzing conversational…

Explores aspects of "The Way to Rainy Mountain," through which Momaday incorporates Native American oral narrative modes into Euro-American written autobiography, and blends mythical, historical, and personal narratives of the Kiowa migration and Momaday's own journey from Montana to Oklahoma. Contains 36 references. (SV)

Describes a pedagogy based on narrative and storytelling that encourages students to appreciate cultural and racial diversity as it helps them become active participants in the broader conversation of a literate community. (SR)

Illustrates the presence of aesthetic experience in written history by comparing textbook presentations of the United States' 1812 offensive against Canada. The aesthetic dimension of human development is universal. Teachers' responsibility is to consider the aesthetic quality of school experiences they bring about and extend students' range of…

Focuses on the way entities are introduced into discourse, how they are referred to again later, and what motivates speakers to choose particular anaphora to manage reference at a given point in a narrative. Compares anaphoric patterns in English and Mandarin narratives. (HB)

Describes a school-based storytelling project in which teacher trainees highlighted the values of storytelling and reading. Shows specifically what students were asked to do in planning the proceedings of the events. (HB)

Students (grades 7-8) with and without learning disabilities (LD) wrote stories for which a beginning, middle, end, or no prompt was given. Results indicated differences between groups in quantity and quality of story production. LD subjects scored significantly lower when offered the middle prompt than other prompts, perhaps because of their…

Provides a response to an earlier article in the same issue of this journal entitled "Resistance, Revision, and Representation: Narrative in Teacher Education." Asserts the right of any teacher to tell stories and subsequently claim relevant meanings for those stories. (HB)

Proposes that the self is constituted in narrative and that development can be seen as the self's effort at rewriting its account of the world. (LB)

Explores the relationship between linguistic and conceptual structuring of narratives, focusing on linguistic devices used by German and U.S. narrators to identify transitions in text structure. Identifies and outlines two types of narrative orientation: differentiating events and integrating events. (SR)

Investigates how adult readers represent causal relations among events in a narrative, specifically by testing two models of text comprehension, the linear chain of text model versus the network model. Provides support for a network model of the representation of causal relations in narratives. (HB)

Describes the way one English teacher used a variety of stories to introduce students to the conventions of narrative fiction, with specific attention paid to the problem of the unreliable narrator. Claims that teaching the truth of fiction depends upon a clear appraisal of the story's narrator. (HB)

Describes how one English teacher celebrated the power of students' personal writing to clarify and validate their own personal life experiences. Argues for the use of personal narrative in teaching students to develop as writers and thinkers. (HB)

Analyzes the nature of the complexity of student writers of narrative in secondary schools. Focuses on the affective development and the narrative structure of student writing. Provides a framework based on structuralist theory resulting in a detailed insight into the achievements of student writers of narrative. (HB)