Maintains that introductory art courses should promote three types of outcomes: (1) learning from works of art, or art criticism; (2) learning about works of art, or art history; and (3) learning how to make art, or studio art. Describes an approach to teaching introductory art lessons that helps achieve these three outcomes. (JDH)

Based upon the teaching of Mari Sandoz' allegorical novel, CAPITAL CITY, this article identifies the characteristics of novels which provide a sociologically useful humanist perspective. A key characteristic is the extent to which the novel conducts thought experiments, defined as cerebral exercises which explore alternative social futures based…

Noting difficult and potentially dangerous situations encountered by students in their internships, this article describes a professional socialization course designed to foster awareness of professional ethics, organizations, journals, and, through case studies, practices. (JDH)

This article reports on the development of a college course that uses feature films as a vehicle to promote a better understanding of human behavior. It includes film titles and descriptions along with questions used for guiding discussions. (JDH)

Looks at problems encountered in the development of an interdisciplinary course on South Africa by two African history and English literature instructors. Focuses on problems related to timing, student expectations, and the balanced integration of materials from both disciplines. (AYC)

Provides descriptions of courses offered at various colleges in the following areas: (1) improvement of technical communication; (2) technology and technical communication; (3) technical communication of scientific material; and (4) media for technical communication. Offers these descriptions as a means for creating technical writing assignments.…

The philosophy, structure, and organization of a chemical engineering (ChE) process laboratory are discussed. The laboratory emphasizes the oral and communication skills of students who are part of groups that resemble an industrial process research and development group. An annotated list of students' experimental projects is included. (JN)

An intermediate-grade art teacher describes how she teaches her students about Henri Matisse. Students learn about the life and background of Matisse, study his reproductions, and apply techniques that they have learned to their own art works. (RM)

Seventh graders reacted enthusiastically to this watercolor art activity. A blank piece of white drawing paper was soaked in water and then removed to a newspaper-covered table. Students held a brush full of watercolor above the paper and squeezed the bristles. When the droplets hit the surface, they spread beautifully. (RM)

At ages 11-15, 25 intellectually highly-able youths studied high school biology and 12 studied chemistry intensively for 3 summer weeks, after which their median score on the College Board's achievement test was 727 (biology) and 743 (chemistry). Implications of these and other results for science instruction are discussed. (JN)

Identifies concepts relevant to aesthetic literacy, suggests possible procedures for instruction, examines different interpretations of aesthetics, and presents a curriculum model for aesthetic literacy. (Author/JDH)

Describes an experimental course designed as a journalism workshop where economics students became reporters writing articles on economic events, issues, and prominent economists and their ideas. The requirement to explain economics to lay readers accurately and clearly, developed the students' own economic literacy. (Author/JDH)

Describes a ten and one-half hour upper elementary grade level unit of instruction on the physical, social, and psychological aspects of aging among the elderly. Copies of the course are available from the author. (JDH)

Describes a senior-level course which teaches engineers to design and implement a large software project within a team structure. Management issues, technical issues, project phases, and examples of student projects are included. (JN)

Describes a course which emphasizes the relationship between chemistry and a student's daily life and between chemistry and his/her major (art or communications). Includes course outline and information on course content, student projects, source material, and teaching methods. (JN)