The head of Arizona State University's film-production program, F. Miguel Valenti, doesn't believe in showing movie clips in his classes, arguing that every scene should be viewed in its full context. So to make a point about why he thinks "Friday the 13th" has destroyed the horror genre, he recently showed the whole bloody mess of a…

Only one Pittsburgh television station (WPXI) chose to show the entire event when R. Budd Dwyer, Pennsylvania state treasurer, shot himself at a televised news conference. Within 12 hours, the focus of the story had shifted from Dwyer himself to the media's coverage. Was WPXI wrong to show the suicide? Were the other stations wrong to curtail the…

This paper reviews UNESCO activities for the collection of national production data of audiovisual materials and microforms and presents possible approaches to the task. UNESCO has for some years collected data on the production of printed materials, but while recognizing the need for collecting similar statistics on nonprint media, it has not yet…

This classification scheme attempts to demonstrate a method of controlling and organizing an indexing language for the physical forms of non-book media. The classification is based on the technique of facet analysis. It comprises a classification of the concepts of the subject with an alphabetical listing of the verbal descriptions of the subject.…

Written specifically for school libraries, the principles given can be applied to any library system which houses books and other media together and has a single, unified list of holdings. Following some general rules for descriptive cataloging, the cataloging principles are given for such non-book materials as: (1) filmstrips, (2) slides, (3)…

Reports results of a survey of library patrons which investigated: (1) reasons patrons choose the public library for popular nonprint materials; (2) whether patrons using the library for nonprint materials tend to use print materials during their visits; and (3) how use of nonprint materials affects patrons' perceptions of their libraries. (MES)

Provides a content analysis of advertising visuals--illustrations and photographs--to determine the frequency with which the basic visual communication functions are used. Finds that photographs are the most frequently used type of visual and that symbolic visuals are more prevalent than literal visuals. (MM)

Assesses the evolution of use of nonprint media in the classroom from the late 1960s to the present, with particular attention to six types of media-related articles produced during this period, rationales for media in English and an update concluding that an evolutionary rather than revolutionary change is taking place. (JK)

Lists six sections of resources on alcohol and alcoholism to guide librarians in selecting materials for alcoholic patrons and to show what kinds of education are possible in the public library. Sections include alcohol and alcoholism, alcohol education, fiction, nonprint resources, bibliographies, and other information sources. (BH)

This paper highlights significant advances in audiovisual cataloging theory and practice: development of "Anglo-American Cataloging Rules" (second edition); revision of the MARC Films Format; and project to provide cataloging-in-publication for microcomputer software. Evolution of rules and practices as an outgrowth of needs of the…

That the library profession in general has ignored and even resisted the emergence of non-print materials as viable aids in communication of information is attributed to three overall problems: Lack of commitment of library schools, negative attitudes of practicing librarians and lack of concern of the professional organizations. (21 references)…

Pre-printed form cards are used to advantage in a specialized situation. They allow for individualized cataloging practices and simplicity of clerical follow-up. (Author)

The role of networks in correcting inadequate bibliographic control for audiovisual materials is discussed, citing efforts of Project Media Base, National Information Center for Educational Media, Consortium of University Film Centers, National Library of Medicine, National Agricultural Library, National Film Board of Canada, and bibliographic…

Describes the efforts of the National Film Board of Canada (NFB) towards a national information and distribution system for audiovisual materials. NFB has prepared a catalog of 16mm NFB films and an educator's guide to filmstrips and is presently preparing a thematic listing of films on energy, environment, and conservation. (RAA)

Argues that Hypertext (which exists and can only exist online) is very different from more traditional forms of text and represents a new medium for thought and expression. Discusses the new practice and new rhetoric of Hypertext. (RS)