Comprehensive and logically sequenced, this guide seeks to helps educators publish on topics such as classroom experience, conference presentations, or research projects. Included in the guide are practical strategies, concrete examples, recommended resources, and advice from experts. The guide focuses on writing and how it is approached and…

"Inkshedding" grew out of a process of trying to make "freewriting" into something dialogically transactional. The idea was to give writing a social role in a classroom, and thus to create a situation in which the writing was read by real readers, to understand and respond to what was said rather than to evaluate and "help" with the writing. In…

A presentation is a way of communicating information to an audience. A presentation can be a speech, a panel discussion, a debate, a skit, a display, a demonstration, or even a dramatic or musical performance. For example, by telling the audience about particular crime prevention techniques or subjects, the presenter equips them with the tools to…

Explores whether individuals have implicit theories of persuasion. Examines how persuasive strategies are cognitively represented--identifies types of tactics in attitude change and social acceptability of persuasive strategies. Finds implicit theories of persuasion reflect the audience's familiarity with the topic. Finds also that implicit…

Investigates how a speaker's expectations about the audience can influence public speaking anxiety and willingness to speak. Indicates that audience characteristics interact with speaking contexts in complex ways but that, in general, audience pleasantness exerts a stronger influence than audience familiarity, with pleasant friends the most…

Recounts the life and times of a pioneer children's theater playwright and fiction author, Nora Tully MacAlvay (1900-86). Points out that her interest in children's theater and children's literature was lifelong and intense. (PA)

Examines what caused the decline and demise of the Dallas Motion Picture Classification Board (which rated films as to objectionable content) and with it the idea of the public ordering of motion picture content. Uses "Viva Maria" and "The Front Page" as case studies. (PA)

Describes how a "virtual reality" production by the University of Kansas Theatre for Young People provided the opportunity to garner the perceptions and responses of child audiences as a descriptive study. Discusses students' perceptions of results. Provides little evidence of a "videocy" dimension of perceived reality, for it…

Argues that good directors are not as autocratic and individualistic as they are often portrayed. Suggests that theater is much more of an ensemble effort. States that good theater grows out of the performers' desire to reach the audience. Articulates guidelines for the teacher or theater director who wishes to change "I" to…

Contains excerpts from unpublished research which illuminate aspects of the play/drama/theatre continuum--research representing over 20 years of study of college students reflecting on their own childhood performance experiences. Focuses on young performers--how children practice the adult art form of theatre through dramatic play. (PA)

Foregrounds teaching and writing as embodied (that is, gendered, sexualized) practices that contain within them markers of identity that require us to revisit our past or which can subject us to shame. Highlights the transformative potential such teaching and writing have, both for us and for various audiences. (SG)

Considers how much entrepreneurship should be included in electronic learning (elearning) programs in higher education. Discusses planning; knowledge of the market; available resources in a usable form; considering new audiences; measuring ROI (return on investment); and alternative sources of revenue. (LRW)

Examines the challenges one basic writer, a deaf student at the Rochester Institute of Technology, confronted when she took on the role of public writer. Analyzes the student's attempt to enact change for the sake of uncovering the pedagogical implications that teachers of basic writing must consider when educating students to write for the public…

Presents a lesson that might be useful early on teaching a play writing class. Considers how audiences care about things that a character cares about. Explains that in a story the higher the stakes are for the character, the more an audience will invest in the story. Presents a seven question quiz with answers including a discussion of each…

Investigates questions of what the New London Group calls "multiliteracies." Looks carefully at various texts associated with the television show "Felicity" and considers what they have to say about contemporary popular literacies. Considers how "Felicity" acts as a kind of core sample, extracted from the broader soil…