Endorses the position that fabricated discourse presented as nonfictional in nature is a model of ordinary talk, which is relied upon to convince an audience of its verisimilitude. The purpose of the article is to document the strategies used in a puppet show, "The Sooty Show," and to demonstrate their effectiveness in generating a sense…

Puts forth a plan for raising student consciousness about audience through peer evaluation sessions. Targets three areas of effective autobiographical writing: an engaging opening; focus; and showing, not telling. Discusses grading rubrics for these categories appropriate for student readers. (TB)

Describes the author's experience in writing and directing a staged reading of "Ties That Bind" at the 2002 Academy of Management Meetings in Denver as an all-academy symposium. Presents an epistemology that includes knowing in your gut and knowing in your head. Hopes to facilitate a move within the audience from being a feeling but passive…

Reviews nine studies in the area of audience awareness and social cognition. Notes that these studies provide an interesting, though extremely incomplete, picture of the relationship between social-cognitive abilities and writing performance. (MG)

Analyzes argumentative essays written to both friendly and hostile audiences by high school seniors and college undergraduates. Finds level of intellectual development a more significant predictor of holistic paper scores than demographic variables. (MS)

Describes a four week collaborative writing unit designed to develop students' sense of audience by producing a magazine to orient fifth grade students to junior high school. Discusses how students developed the idea, conducted interviews, wrote articles, used computers to produce the magazine, and distributed copies of their magazine. (RS)

Describes a set of writing assignments in a high school English class in which students research controversial, complex issues and then write letters to government officials or persuasive essays for other students, thus learning about persuasive writing, and civic action, and becoming more exacting in their language and more precise in their…

Examines whether preschool children take the gender of the addressee into account when disputing during peer exchanges. Finds that both boys and girls modified their language use in mixed-sex groups, with boys using fewer commands when more girls were present, and girls using more contradictions in mixed-sex than same-sex groups. (SR)

Gives seven responses from practicing English teachers concerning ways that they have implemented the writing of various kinds of letters by students into the English curriculum. Demonstrates the efficacy and success of such methods. (HB)

Hyperfluency, defined as discourse that is inappropriate and incompetent in the target audience's estimation, and its relationship to composition pedagogy are discussed. It is argued that hyperfluency can signal the growth of an individual's linguistic resources. (16 references) (Author/LB)

Describes the complex and sometimes conflicting components involved in reading assessment issues and proposes a solution that involves linkages among assessment audiences and approaches. Concludes with remarks about how school districts might pull together all the pieces and solve the assessment puzzle for themselves. (PRA)

Describes an assignment in writing documentation that turns the classroom into a laboratory for usability testing, giving students a clear sense of the reader responding to their text. (SR)

Presents a transcript of an interview with successful young adult author Jerry Spinelli. Describes the techniques and writing strategies used by Spinelli. Discusses ways of generating stories, and the author's concept of his audience. (HB)

Comments on the interview of bell hooks in the preceding issue of the "Journal of Advanced Composition." Comments on hooks's concepts of audience and power, race relations, multicultural education, and the politics of literacy. (HB)

Suggests guidelines for observing young children's developing control over their thinking and text-making knowledge. Presents evidence of distinct, observable differences between at-risk and non-at-risk preschoolers' knowledge of what a literary piece should be and how to monitor the product to make sure it meets an audience's needs. Discusses…