Investigates the relationships of anxiety levels and instruction effects in a creativity-testing situation with sixth-grade students. Results of analysis of variance indicated that anxiety is negatively related to creativity test scores. It is interesting that there is no instruction effect and that the anxiety-instruction interaction is not…

College students were administered the Group Embedded Figures Test (GEFT), the Remote Associates Test (RAT), a questionnaire concerning RAT strategy, and two self-report scales. Field independent subjects were found to be significantly more creative than field dependents; and advanced strategy levels and insightful responses were significantly…

This paper reports a research study into the effects of rich, sustained visual arts instruction on 103 inner city 9-year-olds in two major US cities. We use the lenses of social learning theory, theories of motivation and self-efficacy, and recent research on artistic thinking to investigate the programs' effects on children's self-beliefs and…

Although previous studies support familial and individual relationships between creativity and affective illness, most have examined eminent creative individuals. This is the first study of creativity in subjects defined only by psychodiagnostic criteria. Creative accomplishment over the adult lifetime was assessed broadly using a new instrument,…

Of the nine long range goals of adapted physical education, creative thinking and moving has received the least attention. However, this goal may be more important than others in helping handicapped children self-actualize through sports, dance, and aquatics. This paper defines behaviors in the creative process and describes several assessment…

Three randomly assigned groups of sixth grade students watched a videotaped white female model present sets of responses to a creativity test categorized as low flexibility, low originality; high flexibility, low originality; and high flexibility, high originality. A randomly assigned control group viewed the same videotaped model giving…

By employing an analytic method developed by the authors entitled the Inventory of Dramatic Behavior, this project set out to accomplish the following goals: (1) to provide a developmental profile of dramatic behavior of Florida elementary school children, (2) to correlate such data with previous results from a New York City sample, and (3) to…

A copy of the "What Kind of Person are You? Test, which was used to measure the creative personality of the students in the Georgia Governor's Honors Program, is provided. This instrument is a 50-item forced-choice creative personality inventory. The items call for the respondent to make a choice between socially desirable characteristics on…

The lack of a universal definition of creativity has led to the assessment of creativity according to the definition favored by the evaluator. These assessments fall into four groups. The first centers around the concept of the creative product; it assesses a tangible event or relationship that results from the creative process, which is implied…

The California Psychological Inventory (CP I) was used to discriminate between 60 male and 60 female creative artists who were further identified as established or not established in their field. Creative females resembled their male counterparts more than did males and females in general. Discrimination between established and less established…

This article demonstrates that the usual first-order factor model is inappropriate for analyzing the factor structure of creativity and intelligence tests. An alternative model that allows for the estimation of unique covariance between the fluency and originality scores is proposed. (Author/JAZ)

A method is described of deriving two alternative measures of divergent thinking ability as a single entity (avoiding the spurious effects of fluency) from student responses to open-ended questions traditionally used in tests of divergent thinking ability. (PN)

Studies the development of creativity (defined as the inclination to transgress the confines of an established perceptual context) in children ages 7 to 11. The main hypothesis, that signs of creativity would decrease at about 7 years of age and increase at about 10 to 11, was partially confirmed. (Author/RH)