Discusses how a professional writer and teacher of writing helps children write better by incorporating specific images taken from their "screens"--the places where they see things in their heads. Presents numerous examples of students' poems. Notes the "screens" can also be used in writing stories or essays. (RS)

Investigates the processes which two college faculty members go through to generate knowledge that neither they nor anyone else has, to situate themselves so they can both formulate and answer questions that will contribute to the knowledge of their fields. Discusses applications of the research for teaching. (PRA)

Describes how an English teacher asks students to reflect and respond about their learning after each unit of instruction. Students in different classes planned a short story unit and a poetry unit. Cites students' writings. Despite the reluctance of students to write their reflections, the process is seen as a valuable component of the learning…

Narrates a proposal writer's experience over five weeks as a member of a team writing a grant proposal on the design and implementation of a practice-oriented master's degree program on manufacturing education and training. (SR)

Writing programs for students with deafness should include teacher-demonstration ("writing aloud"), shared writing, and independent and guided writing done by students. Activities at each developmental level should focus on emerging writers--getting acquainted with print; beginning writers--using written language; developing writers--learning the…

Discusses deadline writing: preparation, researching background material, working within time constraints, and story structure. (SR)

Describes an author's storyboard technique which elementary school students used as a prewriting strategy to roughly sketch out stories on the storyboard frames. Suggests that the technique helps students to plan and organize their stories and helps reluctant writers find the motivation to write. (SR)

Maintains that the process of learning to write summaries is a long one, accomplished in stages as text-related variables interact with the developing writer. Notes that students who receive direct instruction in summary writing based on their developmental level are successful. (RS)

Presents a nontraditional, naturalistic study of writing apprehension in the form of a dialogue between the subject of the case study and her teacher. Describes how the subject overcame a writing block (involving an undergraduate honors thesis) by writing about the block. Presents a sense of an individual writer and the social construction of her…

Asserts that there is a need for writing teachers to reevaluate the metaphors they use to think about composition. Retraces the steps taken by Robert Zoellner in 1969 to reconsider the instrumental metaphors used by composition theories in the 1990s. Offers a criticism of the writing process model proposed by Linda Flower and John Hayes. (PRA)

Relates interviews with 17 writers in 4 departments at a major insurance corporation. Describes the writers' frustrations and challenges, the reasons for not collaborating, their reasons for not needing written standards, and their document approval process. (PRA)

Discusses how difficult it often is for writing teachers to write for their students. Relates the experiences of 12 teachers who tried to use their own writing with their students. (PRA)

Describes the successful use of college admission essays as motivation and inspiration to a group of college-bound high school students who had never developed a personal voice or style. Outlines the processes used to teach these students to experiment with their writing and find their own voices. (PRA)

Discusses a case study which suggests that educators should reexamine the way they presently teach reading and writing. Focuses on some of the educational/psychological contexts that influence the tacit reading/writing model of the subject. (MG)

Reminds readers that looking at individual authors rather than dealing in generalizations is a very meaningful approach to increasing an understanding of how reading works by making sense of the text. Discusses how Agatha Christie's writing follows very predictable patterns and may provide useful experiences for novice readers. (MG)