Proposes that a unified theory of writing be sought as a basis for teaching composition, and that such a theory come from theories of mind and learning already developed. (RL)

An 11-year-old's discussion of five school writing assignments sheds light on the composing process and on learning-through-writing. (AA)

Describes children's views of the contexts surrounding their writing and examines five contextual factors: ownership, setting, audience, purpose, and genre.

Presents a process-oriented method for teachers of stylistic editing workshops that allows them to (1) focus on individual students, (2) start with students basic repertory of responses and build from there, (3) work with freely emitted behavior, (4) ensure frequent and brief responses, and (5) achieve desired behavior through sequential steps.…

Discusses the major elements of writing process instruction and the positive influence they have on learning-disabled and inner-city high-risk students. Argues that such process-writing programs might serve as a preventative measure for children likely to be categorized as learning disabled in the future. (HTH)

Describes a "writing workshop" for eighth graders which focuses on the writing process as well as the finished product. Reports the approach's effectiveness by noting students' improvement on standardized exams and syntactic maturity of student compositions (as measured by the increase in number of words per T-unit). (MM)

Contends that the Given-New research done by linguists on texts can be used effectively in process approaches to teaching composition. Finds that Given-New principles of text analysis are useful in teaching individual students, but that there is more to creating coherence than simply overlapping subjects and objects. (MS)

Describes the writing program one teacher developed to teach writing as a process to children aged seven to 11. The program consists of individual writing, paired writing (writing which is composed or discussed in pairs), and shared writing (writing which is shared with a group). (ARH)

Discusses three facets of reading-writing relationships: (1) the processes underlying reading and writing; (2) the communicative contexts influencing reading and writing; and (3) the learning outcomes derived from reading and writing, including the influence of reading upon writing and writing upon reading. (MM)

Explains the purpose and function of the student-teacher memo, which puts both student and teacher into the composing process which produced the draft. Enables students to examine their own work closely, think about their composing processes, and address themselves to a reader. (MS)

Describes how reformulation can be used as a strategy for teaching academic writing to non-native language users (especially in the research context) and applies the strategy to two examples of research written by non-natives. (Author/CB)

The emerging field of composition research grew up around writing instructors hired to teach required courses in freshman composition. Scholars are interested in studying how writers compose, what they intend to express, and who they believe they are writing for. (MLW)

Recounts the experience of participating in a two-week workshop for writing instructors during the summer of 1986 that was supported by state funds. Urges other teachers to ask their state leaders to consider funding similar summer programs. (NKA)

Advocates that the antiquated "current traditional paradigm" prevalent in the teaching of writing be conquered by the C-Team, a group of four fighters for justice whose mission is to defend the "new paradigm" against violations. (NKA)

The Incremental Method of teaching writing is described. Students examined the increments of the writing of one student. The method is taught through four assignments: examinations of previous student papers, imitations of the correct components, correction of the faulty components, and analysis of revisions. (MLW)