A study of the nature and sources of films imported into Egypt is examined in this report. The first section of the report explores the social effects of imported films. The second section provides an overview of the effect and distribution of foreign films in Egypt. The third section analyzes the specific foreign films projected in cinemas or…

This guide contains detailed listings of courses and programs in film and television offered at 1,067 colleges, universities, and professional institutions in the United States. The individual listings indicate the type of institution, its accreditation, location, campus size, total enrollment, faculty size, calendar, grading system, number and…

The Department of Germanic Languages and Literatures at the University of Illinois has offered a course on German film for more than five years. This document includes a sample syllabus featuring a listing of the films shown and discussed and an annotated bibliography of texts used, along with a selective list of German films available for rental…

Films of Shakespeare's plays can demonstrate to students not only that Shakespearean drama is as "alive" today as it was 400 years ago, but also that directors, actors, settings, and costumes can assist in formulating interpretations of plays. In addition by comparing stage and film, students learn to distinguish between the conventions…

A production of Tom Stoppard's radio play, "Albert's Bridge," by high school students in Washington, D.C., showed that stage production and film effects could be used together effectively and that high school students were competent to handle difficult productions. Students were given the responsibility for photography, sound, and other technical…

Many feature length films and films made for television are adaptable to classroom use, especially in the arts, humanities, and social sciences, and students may accept a well-produced film (even if it is older) more readily than an inexpensively produced educational film. This booklet discusses how animated films, narrative feature films,…

"Understanding Film," the opening section of this book, discusses perceptions of and responses to film and the way in which experiences with and knowledge of other media affect film viewing. The second section, "Film Elements," analyzes the basic elements of film: the use of space and time, the impact of editing, sound and color, and the effects…

This guide for film study and film making in the secondary English class arranges materials in a sequential order and divides them into four major sections. The section on background information includes: Table of Contents, Design for Use of the Guide, Rationale for the Use of Film Study in the English Class, Objectives for a Film Study and Film…

Part of a language arts program developed under an ESEA Title 3 grant, this curriculum guide for film study in the 10th grade is intended to help students (1) view films more critically, (2) understand the procedures of film making, and (3) appreciate the film as a work of art. Nine films are recommended for viewing, and sample lessons, including…

A variety of screen education courses were designed, implemented, and evaluated in a public school system. Specific objectives of the courses were to teach screen education together with English skills and subject matter, to teach film production to interested students, to teach about media operation and performance, and to demonstrate that media…

Designed for the instructor in the humanities, this article presents a methodology for the teaching of any film using Walter Colmes's film "The Women Who Came Back" to demonstrate the method. The cinematic code and the response which this code elicits from the viewer are discussed. Specific shots and sequences are cited as examples of…

This book is a critical biography of filmmaker Charlie Chaplin. Chaplin's life is traced in interpretative fashion from his birth, with special interest centering on the people and events in his life that molded and influenced his creative activities. Discursive criticism of Chaplin's films, identifying their child-like world view, for example, is…

This book surveys the history of comic films from the beginning of this genre to the present and analyzes the nature of comedy in general and the comic film specifically. The early film makers, especially Keaton, Sennett, and Chaplin, receive detailed attention as originators of the sub-genre of silent comic film. The special characteristics of…

This two-volume catalog describes all feature length films made and released in the United States from January 1, 1921, through December 31, 1930 (6606 films are listed). Each film entry includes its title, physical description, production credits, cast credits, and a description of the contents. Films are labeled by subject (for example,…

The stress given to film directors and stars in current academic cinema studies unjustifiably ignores the artistic contributions of cinematographers. Frequently, cinematographers are responsible for much of the artistic expression and inventiveness in films. Although determination of the extent of the cinematographer's contribution is difficult,…