Shows that Plato's categories of knowledge may be used as conceptual frameworks for the study of film. (GT)

Approaches film criticism using classical and modern rhetorical concepts. Discusses the nature and effectiveness of the filmmaker's modes of appeal--to logos, pathos, and ethos, and the appropriateness of his/her rhetorical stance--the balance of attitudes toward subject, audience, and his/her creative self. (JMF)

Analyzes the career and films of Jorge Sanjines and the Ukamau Film Collective by providing a historical retrospective of revolutionary filmmaking and by discussing Ukamau's messages, intended audiences, filmmaking processes, and objectives. (Author/CK)

Defines the concept of "doing film" as an extension of everyday knowledge best understood by employing a variety of concepts from a number of disciplines. Outlines the assumptions of this concept of film, and describes a critical exploratory approach to visual communication at the classroom level. (MH)

Reviews 11 films on volcanic eruptions in the United States. Films are given a one- to five-star rating and the film's year, length, source and price are listed. Top films include "Inside Hawaiian Volcanoes" and "Kilauea: Close up of an Active Volcano." (AIM)

Details a twelfth grade English class which looked at literature, films, and their connections. Notes how the class eventually broke down the distinction between serious texts available to study in school and the popular texts found outside of school. Concludes that this process of reading and remembering a group of heterogeneous texts provides a…

Argues that contemporary screenwriters have much to learn from journalism and from theater, especially in the move away from the linearity of the high-concept film to a richer, more complex screen story. Examines the writing skills and techniques of journalist and playwrights in developing both foreground and background stories. (KEH)

Offers six predictions on the interrelated development of film technology and film study in the teaching of English. Sees the instructional centrality of the video cassette recorder in the near future, progressing to microcomputers, laser disks, and hybrid spoken-written-graphic text. (MM)

Explores classroom approaches to multicultural film study which seek to avoid miscommunication between cultures. Suggests that instructors prepare a checklist of factors to help students identify how specific films relay their messages. Argues that film study can broaden students' notions of free expression, and frame it as a cultural challenge.…

Describes how one teacher follows up a unit on Thornton Wilder's "Our Town" with a study of the contemporary film, "Steel Magnolias." Argues that both pieces celebrate the joys of life and that the film helps balance what is missing in the play. (HB)

Describes the Jerusalem Film Center and the background, history, and organization of the Wim Van Leer Competition which was established for young filmmakers in high school. Describes the Jerusalem Film Festival, film studies programs at Israeli high schools, and future possibilities. (Author/LRW)

Identifies the specific, unique, and important elements of audio education required by film professionals. Presents a model unit to be included in a film studies program, either as a separate course or as part of a film production or introduction to film course. Offers a model syllabus for such a course or unit on sound in film. (SR)

Examines how Frank Capra's 1946 film, "It's a Wonderful Life," expresses a profound trepidation over the future of the small-town landscape (both physical and social) in the postwar era. Looks at the image of Bedford Falls and inventing the small town; at gender and landscape, and women's roles in the film; and at masculinity and the "new" small…

Examines how Nathanael West's darkly critical text in his novel "Miss Lonelyhearts" was censored, through a series of demurrals and evasions, displacements and substitutions, even repression, to make it acceptable for the screen. Suggests that the resulting script illuminates the momentous cultural struggles underway in 1930s America--in…

Provides an interdisciplinary review of portrayal of disability in film by integrating resources from film history, the social sciences, rehabilitation, mass communication, psychology, psychiatry, and education. Analysis addresses the quality of cinematic representations of disability and the politics of film. Psychiatric disorders were most…