Following a Curriculum Development Workshop-Seminar in media which was designed to prepare teachers to implement courses and programs in their own schools, teachers from elementary, secondary, and community college levels of instruction prepared written responses detailing their goals and objectives and collected them in this document. Contents…

The medium of film is uniquely suited to the representation of social problems such as racism. By stressing major issues of racism--slavery, the black cultural heritage, black power, and the black civil rights movement--and coupling these issues with films which give a realistic view of the substance and problems of racism, both concepts…

This book is a chronological history of the "newsreel" from its beginnings in 1889 to the collapse of the last newsreel production company in 1967. The newsreel is traced from its birth in the United States and France, through its flowering in the "March of Time" and other series, to its demise due to competition with televised…

This book covers the aesthetic and production aspects of the 1951 musical film, "An American in Paris," through interviews with many of the production specialists who helped make this motion picture. The film represents the genre of the color Hollywood musical. It was the winner of six Academy Awards, featured a major star and a developing star,…

More than 100 films, selected for use in college-level French programs, are evaluated in this teaching guide. Films are listed alphabetically under the following categories: (1) "Beaux-Arts," (2) "La France Contemporaine," (3) "La France et le Nouveau Monde," (4) "Histoire," and (5) "Langue." The index gives an alphabetical list of all the films…

This resource guide describes six popular approaches to the study of the cinema and provides a practical analysis of selected books, materials, and information about motion picture rentals. Highlighting this extensive survey of film studies are the annotated, critical bibliographies and filmographies of significant books, articles and films by and…

The implications of modern communications media for social, scientific, and philosophical structures are examined. Particular attention is paid to the relationship between the rules of combination of images in films and current trends in humor, scientific theories, and philosophical structures and to the speed-up of information processing made…

Two main themes of motion picture development in America are presented in this comprehensive historical guide to movies. The sophistication and broadening of the movies as an art form and the complex relationships between a period and the movies of that period are fully explored. Particular emphasis has been placed on the role of the director.…

This study investigated whether adolescents' response to film is similar to or different from their response to literature and what these similarities or differences mean. Tenth grade students read two literary selections and viewed two films paired on the basis of similarities in treatment of subject and theme. Students' written responses to…

This volume is comprised of a collection of essays about the origin and development of the science fiction film, its relation to other kinds of film and to science fiction writing, and its aesthetic value. The essays are arranged in four groups: "Beginnings: 1895-1940s,""Popular Years: The 1950s,""Taking Stock: Some Issues and Answers," and…

Today's students are very much interested in films, but discussing films as if they are literature, or as if there are "right" answers about them (the teacher's), will kill off that interest quickly. A better technique is to discuss the feelings which the film's images generate among class members, and to go on from there into larger questions…

Describes a course in German film offered by the Department of Germanic Languages and Literatures at the University of Illinois. A sample syllabus is given, which includes a list of the films and textbooks used, as well as a selective listing of films available in the United States. (CFM)

Describes an approach to French literature that looks at the process of making a novel into a film. The technique focuses on comparisons of composition, characters, and language. (MSE)

Describes how short films can be used as paradigms in the composition class, gives several examples of particular films, and describes how to include film in a class. (CRH)

Most modern language teachers consider commercial films prepared for native speakers of the target language useful as a teaching device only for advanced students. The results of an analysis of the vocabulary content of "High Tide at Noon" seem to indicate that any student with a basic English vocabulary could follow the script. (CFM)