A grade one through two teacher describes how her class created and shared original hardcover books. Highlights include how to put the books together, a source for ordering blank books, handwritten vs. typed books, and a "literary luncheon" to share the books with families. (PEN)

Uses poetry and poetic prose to remind readers of the power of poetic language. Discusses the author's experience as a poet and her work with teachers to bring poetry into children's lives. (SR)

Examines two "success" stories about student writers. Addresses the conversation about teachers writing and writers teaching. Questions whether the first-success-story-student wrote a story that better served her purpose for learning, and whether the student in story #2 will know what to do with the excess of meaning the class has constructed…

Discusses four poems by William Carlos Williams used to teach creative writing to college students. Uses "Portrait of a Woman in Red" and "The Last Words of My English Grandmother" because they contain speakers who are clearly not the poet, which gives undergraduate students opportunities to discuss details Williams uses to…

Five classroom ideas are presented that foreign language teachers can incorporate into instruction. (Author/VWL)

Explains how an exercise for high school or college students can be disguised as a lecture. States that the first step is to have the students write a conversation, and that after this is done, a whole range of writing devices can be demonstrated, including use of characterization, tone, environment, and plot movement. (PA)

Describes how the author teaches children to write poetry the way the cubists made art, by connecting cubist portraits with series poems in a drawing-and-writing lesson that connects art and poetry. (SR)

Describes how one teacher got elementary students excited about writing poetry by providing them with simple rules and structures and encouraging them to take chances. Strategies included having each child contribute one line to a poem, discouraging rhyming (which is difficult and blocks creativity), encouraging them to write freely, and having…

Presents two writing activities. Gives a brief description of an activity of personal reflection for composition students. Describes a composition classroom activity for writing effective introduction lead-ins. (SG)

Describes how to use students' journal writing as the basis for their own short stories. Includes developing story subjects by brainstorming and questioning, the basic elements of writing, the final product, and examples. (LRW)

Describes a method of helping students to invent characters in the context of a creative writing workshop for undergraduates. Considers how students draw composition characters for which they can write a profile using the surrealist technique of "exquisite corpses." Uses student work to illustrate how such characters feed into the story…

Describes how a high school English teacher taught herself how to use hypertext in her classroom. Discusses how she used it in her creative writing classes and then moved on to use it in her other classes. Notes the positive responses of her students to the activities. (RS)

Little research has been conducted on how gifted novices compare to experts in their judgments of creative writing. If novices and experts assign similar ratings, it could be argued that gifted novices are able to offer their peers feedback of a similar quality to that provided by experts. Such a finding would support the use of collaborative…

This paper introduces intersubjectivity as a concept playing a crucial role in collaborative tasks, even when performed between partners at a distance. Two 5th grade classes from two European countries (Italy and Greece), collaborated in writing fairytales inspired by philosophically relevant issues. The software supporting the task is an…

In this case study the author explored a teacher's beliefs about creativity and giftedness and investigated the classroom practices of this teacher of gifted students for 20 years. Seven semi-structured and 2 open observations were carried out in her classroom, and 2 prefigured interviews were conducted with her. She believed that creative…