At the International Meeting on Film and Television Teaching held in Norway in 1962, experts and specialists from 18 countries came together to discuss aims, methods, and means whereby people, especially the young, would be helped to deepen their enjoyment of the cinema and television. The resulting study attempts to fill the need of teachers of…

To investigate children's ability to describe and make inferences about feelings, thoughts, and intentions that occur in interpersonal relationships, 60 middle class girls were divided into three age groups: 6, 9, and 12 years. Each group viewed two sections of a movie portraying episodes of social interaction. After each section, the children…

Two experiments which compare the effectiveness of the auditory and visual elements in instructional films in order to study their relative contributions to learning are described in this paper. Two films dealing with aerodynamics were used in one experiment, and one film dealing with desert survival was used in the other. Multiple choice item…

Motion pictures have long been recognized as a mirror of society's values and attitudes, and for motivational and impression-making impact they are unsurpassed. The Hayden Film Attitudes and Issues Series is based on the teacher's source book, the Celluloid Curriculum: How to Use Movies in the Classroom. This series presents written sources…

Over ten years ago, in a report on the process of education, Jerome Bruner dealt with the advantages of using film and other audiovisual materials. First he said that film can help use and develop attention. Secondly, he identified film as one of the "devices for vicarious experience." He said that film can be used as a dramatizing device, as a…

A behind-the-scenes look at Hollywood's film industry reveals the roles and functions of its agents, directors, stars, writers, producers, and technicians. Economy is the dominant motivational factor affecting everyone connected with Hollywood; actors, scripts, and film production specialists are evaluated entirely in dollars. Coping with this…

This book is the prototype issue for a complete quarterly author-subject index to the international literature of film studies. The prototype issue tests the indexing methodology for the projected "Film Literature Index" by indexing and cross-referencing the contents of 28 representative periodicals that deal centrally or peripherally with films.…

This book is the text of an interview with the French film-maker, Jean Cocteau. It is the corrected edition, with a new introduction by George Amberg, of the English translation of the early 1950 conversation in French. Cocteau discusses the aesthetics, creative aspects, and production processes of his own films and films in general. His approach…

The authors introduce their guide with a preface that describes the benefits to be gained by making media a part of the curriculum and suggests some of the problems of attempting such a step. They give workable suggestions for selling the idea of improving media study to colleagues, administrators, and even the community, and they lay the…

The fifteen papers in this resource guide are grouped into four sections. Section one contains formulations of the basic rationale for screen education and descriptions of new concepts and approaches to film study. Section two presents a definition of the elements involved in filmmaking and viewing, and it describes several model programs which…

The purposes of this book are to introduce film as an art and to show how close, both in form and content, literature and the narrative film are to one another. To accomplish these purposes, the basic components of literature and film are compared, including language (the novel uses words, while the film uses images), point of view, and figurative…

Today, our environment is created more by television and cinema than by nature. Our view of what human nature is and might be is conditioned by what we see in those media. Films which make use of traditional genres only reinforce traditional views. They do not force us to new ones. But new filmmakers are creating "synaesthetic" cinema, which…

The implications of the Copyright Revision Act of 1976 for the use of videotapes in the classroom is examined in light of the recent marketing of home videotaping units. Universal Studios vs Sony Corp. is discussed, along with problems that are left unresolved by the new copyright act. (BH)

Examines the role of critical language in film criticism. Compares and contrasts Monroe Beardsley's philosophy on film aesthetics with the New Criticism. Outlines some of the contributions Beardsley has made to the study of film criticism. (KM)