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Mienczakowski, Jim – Ethnography and Education, 2009
Qualitative research has moved significantly in the last decade or so in its validation and acceptance of avenues of knowing and explaining which span alternative modes of research dissemination than those more traditionally expected of the academy. The use of performance constructs and conventions in the interpretation of qualitative research has…
Descriptors: Qualitative Research, Validity, Ethnography, Drama
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Davies, David – Journal of Aesthetic Education, 2009
One among the many virtues of James Hamilton's book, "The Art of Theater," is that it challenges the hegemony of the classical paradigm in the performing arts by questioning its applicability to theatrical performances. He argues instead for an "ingredients model" of the relationship between a literary script and a theatrical work. According to…
Descriptors: Theater Arts, Performance, Drama, Models
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Visch, Valentijn T.; Tan, Ed S. – Cognition, 2009
The reported study follows the footsteps of Heider, and Simmel (1944) [Heider, F., & Simmel, M. (1944). An experimental study of apparent behavior. "American Journal of Psychology," 57, 243-249] and Michotte (1946/1963) [Michotte, A. (1963). "The perception of causality" (T.R. Miles & E. Miles, Trans.). London: Methuen (Original work published…
Descriptors: Comedy, Emotional Response, Films, Classification
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Hetland, Lois – Teaching Artist Journal, 2009
This article presents an analysis of Nilaja Sun's one-woman play, "No Child" . . ., that applies the Studio Habits of Mind framework to reveal essential features of great teaching artistry and great teaching. The play conveys much about twenty-first century schools and the policies that control them; about respect, equity, justice, and the lack of…
Descriptors: Drama, Visual Arts, Art Education, Theater Arts
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Hargrave, Matt – Research in Drama Education, 2009
This paper reviews three pieces of contemporary theatre which feature learning-disabled actors. It identifies particularities of a context which has remained critically under-represented. The paper identifies such practice as transitional: from the margins of disability politics to the mainstream of the paying audience. The overarching question…
Descriptors: Mental Retardation, Drama, Social Attitudes, Foreign Countries
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Enciso, Patricia; Cushman, Camille; Edmiston, Brian; Post, Robin; Berring, Danielle – Research in Drama Education, 2011
Ensemble-building is a practice within drama education that is understood to be a powerful metaphor for democratic living. However, this ongoing work in classrooms also demands that teachers understand and enact a broad, interrelated range of knowledge, skills, and values that support participants' encounters with conflict and representations of…
Descriptors: African American Students, Theater Arts, Urban Culture, Educational Change
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Goodley, Dan; Runswick-Cole, Katherine – Research in Drama Education, 2011
This paper analyses the contribution to creativity, culture and community of disabled children provided by the work of the theatre company Oily Cart and their production "Something in the Air?" In the paper, we present a radical humanist conception of disability and creativity. In order to explore disability and creativity we focus on a…
Descriptors: Creativity, Culture, Community, Disabilities
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To, Lai-wa Dora; Chan, Yuk-lan Phoebe; Lam, Yin Krissy; Tsang, Shuk-kuen Yvonne – Research in Drama Education, 2011
This article documents the authors' reflections on a teacher professional development programme conducted in 38 Hong Kong primary schools on the teaching of English through Process Drama. The authors draw upon the views of school principals, subject panel head teachers, English teachers, students and parents in focus group interviews to examine…
Descriptors: Classroom Communication, Focus Groups, Interviews, Foreign Countries
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Ntelioglou, Burcu Yaman – Research in Drama Education, 2011
This article seeks to understand the role of drama pedagogy in second/additional language learning with data drawn from a school-based ethnographic study of English language learners taking a drama-English as a Second Language (ESL) course. Being aware that all drama teaching does not automatically lead into improvement in language learning, it…
Descriptors: Ethnography, Second Language Learning, English (Second Language), Drama
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Andrews, Richard – Changing English: Studies in Culture and Education, 2010
This examination of Moffett's contribution to a theory of school English concentrates on his understanding of rhetoric. It is suggested that the impetus for "Teaching the Universe of Discourse" is dialectical: he was running against currents in English teaching at the time that were literary and technical, as well as the specific…
Descriptors: English Instruction, Language Arts, Rhetoric, Higher Education
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Bottoms, Stephen – Research in Drama Education, 2010
This essay considers the performance context and aesthetics of "Journey Woman", a play devised to initiate a week-long rehabilitative groupwork programme for female prisoners. Although Geese Theatre UK are one of the country's longest-established companies specialising in drama work within the criminal justice sector, this 2006 piece is…
Descriptors: Theater Arts, Audiences, Foreign Countries, Females
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Vidotto, Kristie – English in Australia, 2010
In this article, the author shares her experience during the final semester of Year 11 Theatre Studies when she performed a monologue about Hermione from "The Winter's Tale". This experience was extremely significant to her because it nearly made her lose faith in one of the most important parts of her life, drama. She believes this…
Descriptors: Tales, Student Experience, Emotional Experience, Drama
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Sanacore, Joseph; Palumbo, Anthony – Clearing House: A Journal of Educational Strategies, Issues and Ideas, 2010
Independent reading in the content areas is essential for advancing students' literacy growth through the grades. Middle school students, in particular, profit from opportunities to engage in actual reading and, simultaneously, to be supported from an appropriate structure. Specifically, they need substantial time to read, frequent immersion in a…
Descriptors: Middle School Students, Independent Reading, Reading Instruction, Content Area Reading
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Zucker, Marla; Spinazzola, Joseph; Pollack, Amie Alley; Pepe, Lauren; Barry, Stephanie; Zhang, Lynda; van der Kolk, Bessel – Journal of School Violence, 2010
This study replicated and extended our previous evaluation of Urban Improv (UI), a theater-based youth violence prevention (YVP) program developed for urban youth. It assessed the replicability of positive program impacts when implemented by nonprogram originators, as well as the utility of a comprehensive version of the UI program that included a…
Descriptors: Elementary School Students, Violence, Prevention, Comprehensive Programs
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Varelas, Maria; Pappas, Christine C.; Tucker-Raymond, Eli; Kane, Justine; Hankes, Jennifer; Ortiz, Ibett; Keblawe-Shamah, Neveen – Journal of Research in Science Teaching, 2010
In this study we explored how dramatic enactments of scientific phenomena and concepts mediate children's learning of scientific meanings along material, social, and representational dimensions. These drama activities were part of two integrated science-literacy units, "Matter" and "Forest," which we developed and implemented…
Descriptors: Drama, Learning Activities, Urban Schools, Science Instruction
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