In this article, we examine food-engaged art practice and its artistic and pedagogical possibilities. First, we describe the precedents of socially engaged food art practices and provide a detailed account of Conflict Kitchen and Enemy Kitchen, from which we envision new pedagogical possibilities to embrace food and cooking as socially engaged…

As of this writing, the Endowment for the Arts (NEA) and the National Endowment for the Humanities (NEH) are in danger of losing more than two-thirds of their annual 150 million dollar budgets in the federal budget proposal for 2020 (Greenberger, 2018). On March 11, 2019, the presidential budget sent to Congress proposed a 10% overall reduction in…

The consideration of color/lighting in time-based media resurfaced for the author in the cinematic creation of "Moonlight" (Romanski & Jenkins, 2016), and subsequently in the creation of "If Beale Street Could Talk" (Barnard et al., 2018). She was moved by the thoughtful consideration of color/lighting/editing, which would…

This article focuses on the drawing practice of Andrew, a 4-year-old boy whose work the author encountered as part of a 12-month ethnographic study of children's drawing in a university-affiliated preschool classroom. The author approaches Andrew's drawing as more-than-human, as a mesh of materials, meanings, properties, and processes in which…

Walter Benjamin (1936) provocatively suggests that art is an object consumed in a state of concentration. That is, you give yourself over to the artwork in a conscious decision to contemplate it deeply. John Dewey (1934) argues that art requires long periods of activity and reflection, and it comes only to those absorbed in observing experience. I…

This essay explores two canonical installations at the Metropolitan Museum of Art: The Cloisters and African galleries in the Rockefeller wing. After providing a brief history of the formation of these collections and their display strategies, I analyze the effect of exhibition design for a visitor's judgments and impressions of the works of art.…

This article addresses the human need to create uniquely beautiful things for social sharing, play and to elevate objects above functionality. For that reason we often see ordinary people "making special" in many types of informal settings. A pervasive notion exists among many in the art world and in the general public that making that…

Purpose: This study aims to discuss the ethical and political possibilities offered by the presence of teaching artists (TAs) and visual artwork in racially and culturally diverse high school literacy (English Language Arts) classrooms. Design/methodology/approach: This study explores episodes from two separate ethnographic studies that were…

Portrait therapy entails an art therapist co-creating portraits of patients diagnosed with life-limiting illnesses and exhibiting it in a museum art gallery. A description of portrait therapy practice draws on the portraits, collages, and prose poems of two patients, along with feedback from exhibition visitors and patients' families. For…

This article describes and explains the development of 'organic theatre', a theatre form that blends art and agriculture, developed in Kerala, South India. This theatre is an info-tainment medium that provides information about agrarian activities and entertainment by employing folk and regional artefacts in an interactive theatre space. Organic…

Teachers are searching for accessible, relevant, and engaging lessons for students as elementary classrooms grow more diverse and high-stakes testing constrict curricula and recess time. General music teachers may consider implementing lessons that blend popular culture with collaborative, interdisciplinary projects. Artist Keith Haring was…

Civic engagement is not just concerned with identifying societal and political structures. It is also concerned with how young people understand themselves as civic agents capable of starting and sustaining change. Seeing students as change makers is a civically engaged goal supported by literature surrounding the aims of art education in K-12…

As an adult educator for more than 30 years, I have always searched for ways to incorporate creative expression into my teaching practice through engaged pedagogy and student assignments. My major influences came not from educational sources but from the art world and from natural surroundings. In the early 1990's I discovered New Brunswick-based…

Having researched and considered for some time where the field of art education has been perhaps positions the author to thoughtfully ask, Where we might be going in years ahead? And subsequently, What should the field do to meet with success the challenges it faces in the future? In the fast-paced, ever-changing, systemic world, no one knows with…

Entrenched compartmentalisation of subjects in secondary school means that students lack opportunities for learning how disciplines relate to each other and how knowledge can be applied in real-world contexts. This article examines what it means to 'think like a scientist in a multidisciplinary arena' and why this is (and should be) an integral…