Noting that scholars have too willingly accepted Plato's assumption that one could not successfully be both an actor and a rhapsode (reciter or singer of epic poetry), this paper suggests that placing the "mixed style" of the rhapsode's performance art within the context of the Homeric sensibility and the cultural shift into literacy…

This paper analyzes Paul Gregory's 1951 production of "Don Juan in Hell," now considered to be a seminal work in the development of professional and educational readers theatre. The paper contends that the production, which presented a nondramatic work without the usual emphasis on design and spectacle, forced a reexamination of the role…

This comment on Roger D. Gross's definition of "style" explores the ramifications of that definition for the theatre teacher. It is noted that Gross's definition may help with two common pedagogic difficulties: (1) convincing students that theatre and drama of the past were regarded by their audiences and practitioners as entirely…

AMONG THE 116 ENTRIES ON THIS BIBLIOGRAPHY ON THE NEGRO IN THE UNITED STATES ARE VOLUMES OF POETRY, BIOGRAPHIES, FICTION, AND SOCIAL HISTORIES. TWENTY-TWO OF THE ENTRIES PERTAIN SPECIFICALLY TO NEGRO EQUALITY AND THE CIVIL RIGHTS MOVEMENT. THE USER IS ALSO REFERRED TO SEVERAL BOOKS ON NEGRO MUSIC AND MUSICIANS. (LB)

The contents of this issue consist of two articles, Readers Theatre as a Humanizing Process by Wallace Bacon and The Secret of Individual Progress in Art by Paul Gregory, and the 1974 readers theatre bibliography. Items are listed in the bibliography in four categories: plays, poetry, programs, and prose. In addition, the dates and places of…

A course at the University of Illinois entitled "Shakespeare on Film" is discussed briefly, and an annotated list of Shakespeare films for the classroom teacher is provided in this paper. Thirteen films are listed: three versions of "Hamlet,""Henry V,""Julius Caesar," four versions of…

The study reported in this paper examined the structure and function of Chinese opera (also known as Peking opera) as an effective communication medium of social control and change in China, a land populated by 800 million people and nourished by a 5,000-year-old civilization. The study followed structural-functional analysis, content analysis,…

The distinguishable black theatre in America, mirroring a distinguishable black experience, is an artistic product which demands audience involvement. Both the Afro-American oral tradition and the art of gesture are integral aspects of black theatre. In addition, the tragedy found black theatre is not tragedy in the classic sense, as blacks feel…

The concept of private languages holds that each person's words are symbols with which he identifies certain of his perceptions. Language operates in the public sphere only so long as the symbols used by a speaker to denote his perceptions roughly correspond to the symbols the listener uses for his perceptions. The philosopher Ludwig Wittgenstein…

This index, published by the Theatre/Drama and Speech Information Center, covers over 60 journals from fifteen countries. Devoted mostly to drama and dramatic presentations on the stage (including technical aspects related to performance), the index is designed as a guide for scholarly theatre research, for individual awareness, for play…