Discusses complex struggles that occurred when attempting to negotiate a development agenda for a drama workshop involving people with mental health problems. Notes that the context of the intervention was "highly problematic." Suggests that for substantial change to take place the project worker and participants need an agenda of…

Describes an eight-stage activity sequence that draws upon students' writing experiences, requires them to examine dramatic texts in "writerly" ways, and gives them the chance to be playwrights in a limited fashion. Shows how this teaches students basic critical elements of drama as they write conversations for randomly paired characters…

Challenges two assumptions: that children are naturally disposed toward the animated cartoon, and that translating Shakespeare's plays into this medium automatically simplifies and gives them child appeal. Examines the confusions and cross-purposes that surrounded the making of the "Animated Tales" videos, and argues that there are…

Discussess the use of psychodrama as a therapeutic technique involving reenactments of situations that have emotional significance to participants. Through drama participants obtain a deeper understanding of who they are, where they have been, their internal drives, and their behavior patterns. Discusses a spontaneous dramatic script that was…

Maps out the frontier of "kinesthetic English" by describing five movement activities inspired by dance and drama. Discusses the perils and pitfalls of these activities. (RS)

Describes how the inclusion of a scene from Steven Deitz's play "Lonely Planet" can touch those who have lost friends to AIDS. Relates how a group of students went to see a production of "Falsettos" which provided an opportunity for the students to examine their own attitudes about homosexuality and AIDS. (PA)

Presents a dramatic script involving a professor and students in an innovative but unsuccessful course. Makes a case for "edu-prop drama," which engages spectators in fictitious recreation of classroom dynamics. Asserts that having symbolic players in the educational game engage in dramatized, but realistic, conflict dialogue can provoke candid…

This paper is a wake-up call, reclaiming the place of the artistic and the aesthetic in theatre and drama education as its core experience. Drama and theatre educators need to remind themselves that although drama is now being viewed as a multileveled discourse, the true appeal and beauty of drama and theatre in education lies in its power to…

Aesthetic education, an inquiry-driven engagement with a work of art, can be a catalyst to bringing about change. The aesthetic education experience consists of a number of components. The Lincoln Center Institute Teacher Collaboration in Aesthetic Education agrees upon a repertoire of "works of art" deemed likely to fulfill the requirements of…

This paper seeks out the gaps between localised accounts of drama's efficacy in terms of producing transformations in students' behaviours and sense of identities and the theoretical accounts of such transformations offered in the textual discourses of the field of Drama in Education. Drawing on a range of post-colonial and emancipatory discourses…

Brett Vogelsinger, a high school English teacher, describes his experiences of frustrations of test preparation and the excitement of a good story at the same time. The discovering of drama with eight-graders is a good example of how teachers, novice and veterans can create opportunities for deep and meaningful engagement in all kinds of…

The advantages of teaching English literature in an arts classroom through performance are described. The innovative assignments including poetry, applying performance techniques to a novel and drama helps students to learn English in a better way.

This article presents an interview with Richard Hahlo, a Teaching Artist, trainer of Teaching Artists, actor, director and author who has worked around the globe in a variety of settings. In Germany, England, Japan, Poland, South Africa and the United States, he has brought his unique vision and skill to a wide range of students, teachers,…

The small string of words "in place of" is problematic because if it denotes "instead of" then it is questionable whether conflicts and wars can ever be abrogated so long as there are relations of power. However, but if the string denotes a location, i.e. a war zone, then it is not inconsequential that we justify our eagerness…

The first part of this article describes how, as an independent educator, Eve Nussbaum Soumerai developed numerous theatrical tributes to inspirational historical figures (Anne Frank, Martin Luther King, Jr., and the Dalai Lama, for example). By participating in these productions, young people learned about the lives of these figures and shared…