Discusses youth theater in India, especially the programs for children in slum colonies and schools, as well as those for elitist children. Describes a "caravan" of 100-200 artists, educators, children, and book vendors who encourage young people to ask questions and read books. Includes an account of teacher workshops and an informal…

Discusses what multicultural empowerment means and why it should play a major role in educating middle-school students; how elements of multicultural empowerment can be incorporated into middle-school social studies; and how drama pedagogy can be used to integrate middle-school multicultural education and social studies, outlining a progression of…

Presents annotations of nine books (or sets of books) published between 1990 and 1997 that look at ways in which Shakespeare can be presented and explored in English or Drama classes. (NH)

Discusses arts based research/alternative forms of representation. Discusses creating drama as a form of research and describes the author's own work in "collective creation/play building" with a research based Theatre-In-Education program to demonstrate that some of the practices employed in educational drama can be considered a…

Reflects on teaching Shakespeare in secondary school. Finds it is possible to see in a set of classroom practices an alternative model of reading, a notion of collaborative, negotiated making of meaning. Gives student responses as to why they would be studying Shakespeare. Reflects on their comments. (PA)

Describes a director's experience working with "A Taste of Sunrise," a play depicting the deaf culture. Stresses how important it is to educate the cast and provide them an opportunity to learn sign language. Notes that American Sign Language is complex and beautiful and deserves to be carefully studied and respectfully acknowledged by the hearing…

Considers why educators should teach theater arts to kids, what educators want kids to get out of it, and whether the art itself should be subordinated to how it can support other subjects. Argues that both school arts programs and outreach companies should reconnect with their communities. (SR)

Describes the involvement of two Grade 11 drama classes with the PAL (Peer-Assisted Learning) program, a coaching model in which senior students in Ontario secondary schools function as instructional aides for younger peers. Suggests that both coaches and students benefit when seniors act as learning partners for their younger peers. Includes…

Outlines "Bullybusters," a psychoeducational drama developed by a school's counseling and drama departments. The program depicts the negative consequences of the various forms of bullying, while informing students how they might overcome bullying's adverse effects. Subsequent classroom discussion sessions were successful in getting students to…

This article describes a case study of a new venture by the children's theatre company Oily Cart to develop a participatory theatre piece for carers and their under-two-year-olds, entitled Clouds. Given what little is known about how to design and conduct arts events with this age phase, a case study offered the opportunity to identify features…

This article presents an example of a project designed to get children of different ages working together and working for each other. The project relied quite heavily on children creating a dramatic context and the author shows how the dramatic element has the potential to affect their learning in positive ways. The provision of a shared…

The interview-based monologues created and performed by the high school students help them to talk about the critical issues that underlie their daily lives. Student samples and advices are given to the teachers who wish to provide their students with a powerful speaking and writing tool.

The field of drama in education has been developing a rich tradition of practice separate from the literature of educational and cognitive psychology. This article draws links between the practice of drama in education and cognitive theory, focusing specifically on the area of situated learning. Rather than confine learning to the context of the…

In this article, we explored ways youth, traditionally silenced, engaged with popular culture to voice experiences and challenge dominant narratives of public schools and daily lives. We also considered how educators use popular culture as critical pedagogy with inner city youth. Through ethnographic bricolage and case study methods, and drawing…

The purpose of this study was to describe a group of fifth grade students as they engaged in process drama during their social studies class. The author found that students who engaged in process drama learned to combine texts to understand and create new texts. As they became engaged in the material, students collaborated with each other and…