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Weisfeld, Zelma H. – 1975
This annotated bibliography, designed for secondary and postsecondary teachers and practitioners of theatre costuming, contains a basic listing of recent and reprinted works on costume history. Most of the books included in this bibliography are in print, are easily obtainable, and contain reproductions of contemporary art and garments.…
Descriptors: Annotated Bibliographies, Clothing Design, Communication (Thought Transfer), Drama
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Tedesco, John L. – 1975
This bibliography is intended to (1) encourage research in contemporary black American drama, which between 1955 and 1970 played an important part in American theatre activity; (2) facilitate comparative examinations into the differences and similarities between black drama and drama of other American minority groups; and (3) serve as a…
Descriptors: Bibliographies, Black Literature, Drama, Higher Education
Department of Education and Science, London (England). – 1966
Drama activities are analyzed in terms of their needs for accommodation, from classrooms up to small theaters for performance before an audience, with many possibilities between these two extremes. Similarly, music activities are analyzed in terms of the needs for rooms for class teaching, for instrumental and ensemble practice and listening, as…
Descriptors: Arts Centers, Classrooms, Design Preferences, Drama
Salem, James M. – 1973
This second edition of the "Guide to Critical Reviews" provides a bibliography of critical reviews of over 1,700 American plays performed on the New York stage--mostly Broadway, but some off-Broadway productions--from 1909 to 1969. Opening dates and performance totals are given with each play. Among the 290 American dramatists listed are those who…
Descriptors: Drama, Literary Criticism, Literature Reviews, Playwriting
Shuman, R. Baird, Ed. – 1974
Written for the harried English teacher whose aim is creative and stimulating teaching, this book's chapters attempt to provide inspiration for instruction in six specific areas. Robert E. Probst urges the student's enjoyment of literature as a special, thought-provoking experience and suggests that a model of cooperation prevail over a…
Descriptors: Creative Teaching, Drama, English Instruction, Grammar
Parker, Robert P., Jr.; Daly, Maxine E. – 1973
An abundance of specific material useful to teachers of English in all types of high schools is presented in this book. Topics such as drama, media, linguistics, literature, and composition are discussed in the following chapters: (1) "Young People and Their Environment," (2) "The Nature of English: Toward a Developmental View," (3) "Making…
Descriptors: Drama, English Instruction, Film Study, Linguistics
Sergel, Sherman Louis, Ed. – 1973
This dictionary of the language of show biz provides the layman with definitions and essays on terms and expressions often used in show business. The overall pattern of selection was intended to be more rather than less inclusive, though radio, television, and film terms were deliberately omitted. Lengthy explanations are sometimes used to express…
Descriptors: Definitions, Dictionaries, Drama, Dramatics
Hagen, Uta – 1973
This book, based on the author's experience as a professional actress, is divided into three sections. The first part, "The Actor," deals with techniques the actor uses to function physically, verbally, and emotionally and discusses the actor's concept of himself and the art of acting. The second part, "The Object Exercises," consists of a series…
Descriptors: Acting, Career Education, Careers, Drama Workshops
Demetz, Peter, Ed. – 1962
One of a series of works aimed at presenting contemporary critical opinion on major authors, this collection includes essays by Sergey Tretiakov, Hearings of the House Committee on Un-American Activities, Hannah Arendt, Eric Bentley, Oscar Budel, Ernst Schumacher, I. Fradkin, Hans Egon Holthusen, Gunter Rohrmoser, Walter H. Sokol, Franz Norbert…
Descriptors: Authors, Biographies, Drama, German Literature
McCaslin, Nellie – 1971
The purpose of this book has been to trace the history of the children's theatre movement from its beginnings to the present time. The earliest evidence of children's theatre is found in the social and educational centers of the larger cities. Originating in the social settlements at the turn of the century, drama was first introduced to provide…
Descriptors: Art Appreciation, Children, Drama, Educational Objectives
New York City Board of Education, Brooklyn, NY. Bureau of Curriculum Development. – 1970
The first step in teaching a play by Shakespeare is to acquaint the class with the meaning of the words. Frequent interruptions in the reading of a play in the beginning to insure understanding is another advisable technique. Reading with a colleague, student dramatization and choral reading are other useful oral methods. Filmstrips, stimulating…
Descriptors: Drama, English Curriculum, English Instruction, English Literature
Laban, Rudolf; Ullmann, Lisa – 1971
In this third edition, some amendments and additions have been made to the original text, first published in 1950. As in past editions, the relationship between the inner motivation of movement and the outer functioning of the body is explored. Acting and dancing are shown as activities deeply concerned with man's urge to establish values and…
Descriptors: Creative Activities, Dance, Drama, Emotional Experience
Kreider, Barbara – 1972
This book is an index to plays suitable for study and performance in elementary schools and in children's groups. This volume updates the last such index, published in 1940 by the American Library Association, and supplements and updates "Play Index's" list of children's plays. Over 500 children's one-act plays and skits published in the United…
Descriptors: Bibliographies, Books, Children, Childrens Literature
Clark, Brian – 1971
The group interpretation approach to theatre production is defined as a method that will lead to production of plays that will appeal to "all the layers of the conscious and unconscious mind." In practice, it means that the group will develop and use resources of the theatre that orthodox companies too often ignore. The first two chapters of this…
Descriptors: Creative Dramatics, Drama, Expressionism, Group Dynamics
Rosenblatt, Bernard S., Ed.; Ingham, Susan D., Ed. – 1972
This report is a transcription of the proceedings of the Aesthetic Education Center meeting of 1971, sponsored by AETA and CEMREL, Inc. Following an opening statement, the report summarizes a panel discussion on "What Is Aesthetic Education?" which centered on finding approaches to relating the arts programs in schools more closely and in new ways…
Descriptors: Aesthetic Education, Art Education, Cultural Enrichment, Drama
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