Reports the "Action Tract Project" (where a group of children with severe learning difficulties from a special school and a group of mainstream children from a neighboring high school in the South West of England) worked intensively together to produce a show "Together Again," which was performed for an invited audience.…

Describes assignments which were originally developed as part of an action research project investigating how students' classroom experiences might inform their previously held ideas of various cultural groups. Explains an activity in which students tell a story about themselves. Concludes this assignment helps pre-service teachers experience…

Discusses Pat Mora's career as a children's book author and aspects of her work: the Latino experience, bilingualism, family life, desert landscape, and folk tales. Provides classroom activities in art, creative writing, social studies, geography, drama. Provides a selected bibliography of Mora's work. (PEN)

Presents the details of the Shakespeare Frolic Project, a multimedia approach to teaching works of Shakespeare that involves students in writing, analyzing, drawing, reading, and performing. Presents an introductory exercise and describes various student activities. (RS)

Details a case study of using narrative theater to engage with a wider variety of subject matter. Defines narrative theater as a group performance that features narrative as the primary expressive vehicle. Outlines the process of writing and directing a student performance of Tim O'Brien's novel "The Things They Carried," which deals with the…

Explains a process drama which was constructed to help high school juniors better understand country life in Russia, and to help them empathetically bond with the characters in the short stories they were assigned to read. Describes how this role-playing challenged the false notion held by students that serfdom in Russia was similar to slavery in…

Discusses the different requirements of teaching drama students and directing professionals. Outlines a range of dramaturgical action between working to support the artistic interests of an established playwright and instructing a novice playwright in basic approaches. Examines how thinking in terms of a spectrum from neophyte to veteran guides…

Explores curricular ways to empower students in their learning by creating opportunities for leadership and group collaboration. Contends that drama, particularly role drama, provides opportunities for students to step outside the classroom and investigate imaginary and real worlds of power, responsibility, issues, relationships, and community.…

Provides both a description of a pedagogic method and a demonstration of that method in practice. Describes the use of learning journals in a particular Shakespeare course. Explains that as a part of this course, student who are studying for degrees in English or Drama teach a Shakespeare play to classes in local Year 6, 7, and 8 inner-city London…

This articles describes a Shakespeare Club for elementary school students of all ages and abilities that has created a "Shakespeare Corner" in a school media center and performed a Shakespeare play for the school and community. The benefits of the club for typical students and for gifted students are discussed. (CR)

Use of dramatics in French second language education is advocated with theoretical and practical arguments, and a four-stage approach to language acquisition through theater is proposed. The approach is based on activities of a bilingual theater troupe that offers Mount Allison University (New Brunswick) students an opportunity to participate in…

Describes a "Shakespeare Coursework Unit" in which Shakespearean and other literary works of the Tudor era were analyzed for evidence of the gender biases prevalent in that period. Notes that by the end of the course, students accepted the assertion that textual analysis is never truly completed. (SG)

Presents the results of a survey of perceived quality of doctoral programs in theater as rated by members of the Association for Communication Administration and members of the Association for Theatre in Higher Education. (MS)

Drama in the classroom means honing thinking skills, increasing comprehension, bringing the written word to life, and fun. And it's effective with general, gifted, and at-risk students from K-12. (Author/TE)

Responds to "Toward Civilization, A Report on Arts Education" by the National Endowment for the Arts, published in May, 1988. Examines implications of the report for drama education as part of the curriculum in elementary school, focusing on the purposes of understanding civilization and developing aesthetic literacy in drama. (MM)