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Peer reviewedBuck, Glenn H.; Gregoire, Michele A. – TEACHING Exceptional Children, 1996
The teaching of music-related leisure skills to secondary students with disabilities is discussed. Areas of discussion include the limits of music education programs; music-related skills that can be taught in the classroom (including accessing, appreciating, and engaging in musical experiences); and teaching music-related skills (including…
Descriptors: Cultural Activities, Disabilities, Leisure Education, Leisure Time
McCullough-Brabson, Ellen; Achilles, Elayne; Ashcraft, Joan – Teaching Music, 1997
Discusses the program called "Sounds of the Desert" that celebrates the Southwest indigenous culture and focuses on understanding music in relation to history and culture. Emphasizes the study of Mariachi music that is being taught alongside band, orchestra, and chorus from the third grade to senior high in many Tucson (Arizona) schools.…
Descriptors: Academic Standards, Cultural Education, Cultural Enrichment, Elementary Secondary Education
Peer reviewedCoggiola, John C. – Journal of Research in Music Education, 2004
This study is an investigation of what musicians consider to be their aesthetic experience with jazz music selections that vary in level of conceptual advancement (melodic complexity during improvised solos). Music major participants (N = 128) were assigned to either the jazz musician (n = 64) or nonjazz musician (n = 64) group. Data were gathered…
Descriptors: Musicians, Music, College Students, Audience Response
Butler, Maureen – Teaching Music, 2004
Activities in music class allow students, especially students with hearing impairments, to explore new means of expression and to enhance existing ones. Additional benefits may include increases in auditory awareness, cognitive ability, attention span, memory recall, and vocabulary. Students with hearing impairments can learn and flourish in music…
Descriptors: Deafness, Music Appreciation, Music Teachers, Music Education
Regelski, Thomas A. – Educational Philosophy and Theory, 2005
The "music appreciation as contemplation" paradigm of traditional aesthetics and music education assumes that music exists to be contemplated for itself. The resulting distantiation of music and music education from life creates a legitimation crisis for music education. Failing to make a noteworthy musical difference for society, a politics of…
Descriptors: Music Education, Music, Music Appreciation, Educational Philosophy
Zerull, David S. – Arts Education Policy Review, 2006
In this article, the author contends that in order to fulfill music education's purpose of developing a child's capacity to make and experience music, attention must be paid to developing listening in performance ensemble classes. Music educators cannot assume that being involved in the refinement and performance of music contributes to becoming a…
Descriptors: Music Education, Listening Skills, Music Appreciation, Teaching Methods
Perricone, Christopher – Journal of Aesthetic Education, 2003
I used to enjoy art. Not all the arts equally. Overall literature spoke to me most clearly. I am not sure exactly why. I guess some combination of inborn and learned dispositions. Whatever is the case, my enjoyment of literature always seemed natural to me, since literature was of a medium I already knew, the vocabulary and grammar of my own…
Descriptors: Art Education, Human Body, Entomology, Art Appreciation
Yim, Hoi Yin Bonnie – Australian Journal of Early Childhood, 2007
This paper reports on a research study of the effectiveness of a series of music-appreciation activities for young children in Hong Kong. These activities were designed using world music and were presented as part of a local early childhood television program for community interest. One-hundred-and-sixty-eight local preschool children (mean age…
Descriptors: Curriculum Development, Music Education, Music Activities, Preschool Children
Jones, K. Maurice – 1994
Rap, a popular music that emerged in the United States during the 1980s and 90s, is described as a creation of young African American culture. It belongs to a centuries old legacy of using language creatively in everyday life. The roots of the music are seen as part of the African-American oral and musical traditions that encompass the hidden…
Descriptors: Adolescents, Black Culture, Black History, Cultural Influences
Peer reviewedFiorillo, Rudolph J. – Community and Junior College Journal, 1976
Describes an innovative community-based, performance-oriented music appreciation course at Northern Virginia Community College. (NHM)
Descriptors: Community Involvement, Competency Based Education, Instructional Innovation, Music Appreciation
Peer reviewedFathi, Asghar; Heath, Carole L. – Journalism Quarterly, 1974
Concludes that relatives were the most important factor for high culture music listeners while radio was the most important factor for mass culture music listeners. (RB)
Descriptors: Audiences, College Students, Higher Education, Mass Media
Reitenour, Steve – 1984
Five music appreciation textbooks were compared for selection purposes at Liberty Baptist College. The five textbooks were evaluated by the current instructor of music appreciation classes using the "Textbook Evaluation Form" and the "Textbook Evaluation Worksheet," developed by Crumbly and Copeland. The grade-level of the…
Descriptors: College Programs, Higher Education, Instructional Materials, Media Selection
Peer reviewedEdwards, Larry W. – Music Educators Journal, 1974
Discussed a curriculum guide through which school children can develop their sensitivity and independence. (Editor/RK)
Descriptors: Educational Objectives, Elementary School Students, Music Appreciation, Music Education
Bacon, Denise – Music Educ J, 1969
Descriptors: Child Development, Music Activities, Music Appreciation, Music Education
DiRocco, Theresa – Music Educ J, 1969
Descriptors: Cultural Enrichment, Elementary School Students, Fine Arts, Music

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