This curriculum guide for the teaching of composition contains more than sixty lessons for use with third and fourth grade students. Each lesson contains a statement of purpose, a resume, a list of materials, and directions for teaching the lesson. The major sections for both third and fourth grade are: (1) "Let's Pretend with Things,"…

This quarterly publication is a forum for graduate and undergraduate student thinking on contemporary issues. This issue opens with "Hell is Other People," a critical analysis of Sartre's play "No Exit." The first section contains an article on nonviolence and militancy as contrasting strategies of the black struggle; a satiric playscript based on…

This book presents a history of American drama and theatre from 1665 to the present. The book is primarily intended for the general reader and beginning student. The author combines the history of both drama and theatre, arguing that since they are complementary activities it is artificial to separate them. While the basic organization of the text…

The production of plays enables the students to associate themselves with the total matrix of the play--its social, political, economic, and cultural aspects; thus theater teaching should be ideally suited to learning cultural concepts about a specific country. This study tested a program of theater teaching against a more conventional teaching…

A course in the production of plays for and with children for presentation at elementary schools is outlined. This course involves choosing the play and mounting the production. The performance objectives indicate the student will: develop the necessary stage disciplines to perform as a member of a production unit; reacquaint himself with a…

Describes an interdisciplinary college course involving the use of films, slides and readings from fields such as history, psychology, science, and literature, while at the same time taking full advantage of the historical similarities between a unique pairing of historical moments: Weimar Germany and America of the sixties. (Author)

Describes an experimental drama laboratory using a new course called "Scenario" which is designed to help those who speak sub-standard English improve their command of the language. A model scenario, commentary on the drama-lab approach, description of video taping lab, outline of class procedure, and sample coaching and critique cards are…

An annotated bibliography of personal bibliographies of twentieth-century Catalan and Spanish writers. Personal bibliographies are defined as bibliographies of a writer's works and those works written about the writer and his or her works. (Author/LM)

Prescribes an attitude that teachers can take to help students "crack the code" of a dramatic work, combining a flexible teaching strategy, the suspension of beliefs or preconceived notions about the work, focusing on the drams's text, and choosing a reading strategy appropriate to the dramatic work. (RL)

Describes the nature and impact of the Communist movement's revolutionary language which emphasized the particular pro-American Communist discourse which dramatized issues, events, and people. (MH)

Examines the many possible methods used by instructors who work with dramatic action: in educational drama, drama therapy, social drama, and theater. Discusses an emergent taxonomy whereby instructors choose either spontaneous/formal, overt/covert/, or intrinsic/extrinsic methods. (JC)

The first of two articles presents a review of children's plays written in Spanish, including the authors' approaches and underlying themes. The second, an annotated bibliography of children's folklore and health books for adolescents in Spanish, includes a directory of eight U.S. dealers in Spanish books. (CLB)

Illustrates the inability of conventional education to meet the needs of today's children. Describes the BONGO Program, an interdisciplinary team-taught approach that uses drama to teach academic subjects. Students learn by doing and then present their projects to the public, thereby becoming active participants in society. Highlights the success…

Suggests that drama provides an excellent opportunity for children to learn about history, especially children who have not yet reached the formal operational level of development. Describes a program coordinated with a historical museum in which children reenact a school day in 1888. (ARH)