Suggests drama in education as a teaching strategy which is likely to promote classroom dialogue. Discusses liminality as a dramatic quality which facilitates authentic dialogue between teacher and students. (MS)

Describes a cross-county writing project involving a third-grade class and high school drama students. The third graders write character sketches and send them to the drama students, who write a play using the characters. The high school students then produce the play for the elementary students, complete with costumes, makeup, and scenery. (TJQ)

Argues that the concept of justice offers many opportunities for creative teaching. Observes that historical and contemporary examples can help students understand the relationship among justice, power, and law. Suggests role playing and the study of legal symbols as means of helping students learn to comprehend legal concepts. (SG)

Discussed is whether scientists should take responsibility for the social consequences of their discoveries. Reviewed is the role to which the "modern" playwright assigns scientists in modern society and what might realistically be a role that scientists and scientific societies should play in the modern world. (KR)

This article describes a drama program developed at Reading University (Great Britain) for special education students and teachers at the secondary level, which sought to develop initiative, leadership, ability to think for oneself and adapt to change, and ability to work as a team member. (DB)

The role of narrative and dramatic processes in mediating and shaping both moral judgment and moral action, two processes central to moral development, is examined. The notion of the "moral audience," in which individuals seem to rehearse, review, and redefine their moral actions, is proposed and illustrated. (LB)

Ways of working in drama that can be readily utilized by science teachers are provided. The strategies of sociogram, teacher in role, role play, and trial scenes are described. Students' attitudes toward different teaching styles and the frequency with which teaching/learning strategies are used are presented. (KR)

An integrated lesson for kindergarten that familiarizes students with the phases and the surface of the moon is provided. Activities allow students to draw comparisons between the surface of the moon and the earth. Questions to ask students, directions for the activities, and a list of needed materials are included. (KR)

Describes the use of Shakespeare's "The Merchant of Venice" in an undergraduate course in monetary economics, focusing on the usury theme origins of usury laws, scholastic arguments on paying interest for using money, civil usury laws, and modern theories of interest. It is argued that the play provides an interesting vehicle for an…

Discusses the use of drama to engage students to become more interested and involved in French-as-a-Second-Language courses. Draws from practical experience with the use of drama in the classroom to formulate theoretical and practical uses of this approach to increase motivation and achievement. Uses examples to illustrate the arguments. (DSK)

A group of British graduate students in drama and movement therapy spent a weekend outdoors engaging in adventure, dramatic, and creative activities that focused on the symbolism of the Earth and increasing awareness of the self, the environment, and spirituality. (SV)

Examines Duxberry Park Arts IMPACT (Interdisciplinary Model Program in the Arts for Children and Teachers) Alternative School (Columbus, Ohio) that includes the arts in all aspects of the traditional curriculum. Discusses the IMPACT model, Duxberry's interdisciplinary approach, the factors that contribute to the school's success, and the…

Discusses six books that offer beginning and veteran teachers classroom-tested ideas to help students read and write poetry and other literature, and interact with each other as they strive to understand and appreciate classic drama and novels. Notes four websites that are good sites for teaching poetry. (SR)

Examines the current practices and possibilities of using the teaching-in-role strategy (where the teacher takes on a fictional role for educational purposes) through a survey of professional youth theaters. Finds that, of 38 programs that responded, all indicated having an educational program with several characteristics compatible with…

Explores the formative criteria employed by British teachers from moment to moment in their drama lessons to guide and structure children's learning. Explains that teachers evaluated learning on two levels: (1) the quality of responses within component parts; and (2) the quality of critical moments in the drama as a whole event. (CMK)