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Bauman, Richard – 1974
The purpose of this essay is to expand the conceptual content of folkloric performance as a communicative phenomenon, as spoken art. Performance is seen as representing an interpretive frame, whose nature may vary. This framing is accomplished through the use of culturally conventionalized metacommunication (communication about communication),…
Descriptors: Allegory, American Indian Languages, Anthropology, Ballads
New York Public Library, NY. – 1974
This third edition of a bibliography originally published in 1963 under the title "Puerto Rico" is a selected list of significant materials in both Spanish and English. The title of this new edition, "Borinquen," is the Spanish form of the original Indian name of the island which was later called Puerto Rico. The contents are…
Descriptors: American History, Audiodisc Recordings, Bibliographies, Biographies
Cohn, Ruby – 1969
Several of the important themes of post-World War II English, French, and German drama are analyzed in this book. The first chapter briefly examines the major contemporary playwrights in each national literature. Subsequent chapters discuss contemporary drama as an expression of Artaud's "theatre of cruelty," its relationship to the changing…
Descriptors: Authors, Characterization, Comedy, Dialogs (Literary)
Hoetker, James; And Others – 1970
This second volume of four which comprise the final report on the Educational Laboratory Theatre Project (1966-1970) is composed of the following chapters: (1) The End-of-the-Project Questionnaire: Additional Analyses; (2) Alumni Clubs; (3) The Curriculum Portfolios and Teachers' Uses of Them; (4) Drama in the Secondary English Class; Actor and…
Descriptors: Alumni, Attitudes, Audiences, Bias
Alonso, Damaso – Revista de Filologia Espanola, 1967
Across the centuries the heroes in dramatic works develop and play out action along the same lines, although the dramas may have been created by different authors and may reflect various eras and cultures. A case in point is a comparison of the two Spanish plays "El Caballero de Illescas" by Lope de Vega (1602) and "Los Intereses…
Descriptors: Baroque Literature, Characterization, Comedy, Dialogs (Literary)
Rubin, Louis D., Jr., Ed. – 1969
The purpose of this selective bibliography is to provide the student of Southern literature with a list of the principal scholarship on a number of the South's writers and on some of the more prominent themes and areas of investigation in Southern literature. The first part of the book presents bibliographies on 23 general topics ranging from…
Descriptors: Bibliographies, Blacks, Books, Drama
Turner, Darwin T., Comp. – 1970
This bibliography offers a selective list of the major literary works of black American writers and of scholarship dealing with them and their works. In addition to a listing of drama, fiction, and poetry by Afro-Americans, those works significant to the life and culture of black people in America and to the study of Afro-American literature are…
Descriptors: Authors, Bibliographies, Biographies, Black Literature
Sauer, Edwin H. – 1963
A good, sequential literature program for secondary school students should deal simultaneously with literary forms, with the chronological development of literature, and with broad themes of human experience. By employing the abundance of teaching aids, texts, and improved foreign translations available today, an imaginatively planned program can…
Descriptors: Classical Literature, Comedy, Curriculum, Curriculum Design
Ontario Inst. for Studies in Education, Toronto. – 1969
Reported are the results of a 3-year project to prepare and evaluate pilot units and courses in drama and theater arts for grades 7-12 and to prepare suggested courses for the training and certification of drama and theater arts teachers. Most of the guide is comprised of descriptions of each course which give (1) the purpose and organization of…
Descriptors: Acting, Creative Activities, Creative Dramatics, Curriculum Evaluation
Hargraves, Richard – 1971
The "Introduction to Shakespeare" course in the Quinmester Program involves the careful study of the tragedy "Romeo and Juliet" and the comedy "The Taming of the Shrew," emphasizing language, development of character and theme. The course also includes the study of biographical data relevant to the evolution of…
Descriptors: Authors, Characterization, Comedy, Course Content
Hankins, Gretchen – 1971
A quinmester course which concentrates on two Shakespearean tragedies is outlined. The focus of the course is on the tragic hero, his development, tragic flaw, and eventual downfall. Performance objectives, course content, teaching strategies and learning activities, and lists of student and teacher resources are provided. The course is designed…
Descriptors: Course Content, Drama, English Curriculum, Films
Ciaburri, Dino F., Sr. – 1975
Two methods of teaching drama as a literary form in an Introduction to Literature course were compared. Eighty-seven first-year students, 28 males and 59 females, were non-randomly assigned to four classes, two of which were taught in the traditional lecture-discussion manner while the remaining two utilized a method combining lecture-discussion…
Descriptors: Behavioral Objectives, Community Colleges, Comparative Analysis, Conventional Instruction
Smith, Dorothy – Gallaudet Today, 1988
The article reviews uses of technology at Gallaudet University for the hearing impaired in such areas as drama, musical training, written interaction via computers, the School of Preparatory Studies, basic computer aided instruction, electronic circuitry, diagnostic tools, interactive videodiscs, and telecommunications. (DB)
Descriptors: Clinical Diagnosis, Communication Aids (for Disabled), Computer Assisted Instruction, Computer Uses in Education
Peer reviewedCourtney, Richard – Curriculum Inquiry, 1986
American Indian education fails because schools force acceptance of a nonindigenous world view and ignore native people's perceptions of life, spirituality, art, time, mores, and learning practices. A University of Calgary experiment demonstrates that the creative arts, especially spontaneous drama, are more effective learning vehicles for native…
Descriptors: American Indian Culture, American Indian Education, Creative Dramatics, Cultural Differences
Kariuki, Patrick N.; Humphrey, Steven G. – Online Submission, 2006
A sample of 26 at-risk fourth graders was randomly divided into experimental and control groups. The experimental group was taught geometry concepts using drama, while the control group received more traditional instruction. Fifty minute lessons per day were given for one week. Then, a multiple choice test to assess academic achievement was…
Descriptors: Drama, Geometry, Mathematics Instruction, High Risk Students


