The purpose of this qualitative study was to investigate the process of composing educational music. As part of a research project titled "Sound Connections: Composing Educational Music" Canadian composers completed email interviews, responding to semi-structured questions about the process of composing educational music. Using…

This embedded experimental mixed-methods study examined the implementation and outcomes of World Music Drumming (WMD) curriculum on reading fluency in primary elementary children and teacher perceptions of its effectiveness in student-to-curriculum, student-to-student, and student-to-teacher interactions in a summer camp setting. WMD, with its…

The present longitudinal study investigated the hypothesis that early musical skills (as measured by melodic and rhythmic perception and memory) predict later literacy development via a mediating effect of phonology. We examined 130 French-speaking children, 31 of whom with a familial risk for developmental dyslexia (DD). Their abilities in the…

In this study, I build on growing research examining humility in musical contexts by investigating whether band students perceive humility to be a positive and desirable social quality or a social weakness among band directors. Middle school, high school, and undergraduate band students (N = 117) evaluated the likability, knowledgeability, and…

Defining categories of musical actions in improvisation with young children is challenging due to the spontaneous, creative and emergent nature of interactions. Following a literature review, two new constructs were proposed to circumscribe and classify different types of events in improvisation, Creative Musical Agency (CMA) and Socio-Musical…

COVID-19 mitigations significantly altered college marching band operations during the fall 2020 football season. Modified band operations may have affected students' sense of community and togetherness. The purpose of this study was to investigate college marching band students' perceptions of community and other band experiences during the…

The purpose of this grounded theory research was to investigate music teachers' perceptions of the role and influence of performances in K-12 music programs and the processes by which these performances impact music teaching and learning. Three specific research questions informed this study: (1) What role do performances play in school music…

Malta has currently attracted numerous non-natives who consider the island conducive for business, investment and work. To enhance their working and living experience in Malta, several foreigners are learning Maltese as a second language (ML2), which could be challenging to learn, especially its grammar, if second language (L2) learners do not…

Band pedagogy has become the dominant teaching approach found in secondary music education. Band pedagogy's focus on meeting performance objectives in large ensemble contexts has created inflexible and teacher-centered learning environments. This paper seeks to examine the problematic aspects of band pedagogy being at the forefront of curriculum…

Music education majors report low exposure to creative musical activities (CMAs) despite increased discourse surrounding the inclusion of CMAs in standards, curricula, publications, and practice. The purpose of this study was to compare preservice music teachers' (PMT) and music teacher educators' (MTE) experiences with CMAs. We used an anonymous…

The purpose of this study was to examine the intergenerational interactions between preservice music teachers and senior adult musicians engaged in music teaching and learning in a New Horizons ensemble within one university's music teacher preparation program. This intrinsic qualitative case study included written reflections and observational…

Orchestra auditions form a critical career challenge for many aspiring classical musicians. Hence, emerging professional musicians--defined as promising musicians entering the professional circuit without having yet established full-time employment--require effective practice and performance strategies to manage the demands of auditions. The…

With particular reference to Changsha, China (recognised as a UNESCO creative city in 2017), the purpose of the present study was to examine the under-researched relationships between music types, music activities, and sources of creativity in school music learning as perceived by adolescent students. Between October 2019 and May 2020, data were…

This article draws on a master's study into programme decisions and processes of a Pakeha primary music teacher who sought to include matauranga Maori (Maori knowledge), tikanga Maori (Maori practices) and te ao Maori (a Maori way of seeing the world) in their teaching practice. The study investigated how children are enabled to experience…

Conducting courses are a common feature of the choral music teacher education curriculum. However, practicing teachers often place lower value on conducting skills than other skills necessary for effective teaching. There may be a disconnect between the emphasis placed on conducting in the undergraduate curriculum and the relevance of conducting…