The age of literacy, also known as modern age, was based on vision, regulation and control, whereas the post-literacy age, characterised by the advent of digital technologies, is based on an immersive, multisensorial and participatory approach. The ICT provide new opportunities to rethink and redesign the ways in which cultural heritage has been…

Designing exhibits that catch and hold people's interest -- particularly easily distracted children -- is a key challenge for science centres. Here we apply situational interest (SI), a model from educational psychology and STEM education, to understand characteristics exhibit designers use to trigger and/or maintain interest, evoke emotions and…

Public museums are increasingly exhibiting difficult histories that aim to challenge traditional national narratives of exclusion. This paper examines the "Being Japanese Canadian: Reflections on a Broken World" exhibit at the Royal Ontario Museum to provide insight into how innovative museum pedagogy might challenge hegemonic narratives…

Partnerships are crucial for museums to reach new audiences, expand their approach, and simply survive in these uncertain times. While practices for effective partnerships between large museums and other institutions are well-documented, the needs of small museums pursuing partnership are less studied. To understand the specific needs of partners,…

Informal education and outreach can be highly effective at shifting public opinion and action on climate change, particularly in rural areas where climate change may be avoided in regular school curricula. Small and mid-sized museums in more rural areas can serve as important sources of climate change content, even when they are not primarily…

'Dancing Glass: Reflection of Art through Dance' was a collaborative project using artwork from the glass gallery at the Lowe Art Museum of the University of Miami, as a springboard for artistic inquiry in improvisational dance. Students enrolled in a Dance Improvisation course, guided by professors Carol Kaminsky and Jorge L. Morejón in order to…

The COVID-19 pandemic brought unprecedented changes to the museum field in 2020. Significant among these changes are losses in museum education. Using data collected from museum educators and museum directors, the authors document and contextualize what they consider incongruous, detrimental impacts on museum education. Most troubling, when…

Repatriation of archival materials holds great potential for decolonizing archaeological archives. This paper argues that while repatriation of human remains and cultural objects is required by law under the Native American Graves Protection and Repatriation Act (NAGPRA), traditional manuscript archives can and should be subject to the same…

Working within a new museological paradigm that sees museums as fluid, unbounded, and dependent upon context, this article seeks to examine the discourses that underpin collaboration as a contemporary and necessary museum education practice. In conducting this examination we will use examples from both Germany and the United States to illustrate…

Employing the virtual version of the traveling exhibition "A History of Walls: The Borders We Build," the authors developed a creative writing and visual literacy workshop series for high school students based on people's complex relationships with four border walls (China, Berlin, Israel-Palestine, and U.S.-Mexico) from multiple…

This article explores two considerations in the push toward joint "LAM" (Library, Archive, and Museum) programs of education and research: the organizational proximity of departments and schools of library and information studies (LIS) and museum studies (MS); and the degree to which individual scholars of LIS and MS share publishing…

With the spread of digital environments that allow the user to design and produce contents, we have asked ourselves whether digital museums can be considered as 'third spaces' in which it is possible to exhibit, research, aggregate and re-elaborate, in a shared narrative, materials and experiences coming from different contexts. Conceiving the…

This article addresses ways that museums can strengthen programming for audiences who are blind or partially sighted. Through the development and study of a tour for people who are blind or partially sighted conducted at the Calouste Gulbenkian Museum -- Modern Collection, in Lisbon (Portugal), the author examines other possibilities of access…

This paper charts an on-going process emerging from a collaborative project between Manchester Art Gallery, and early childhood researchers and practitioners, who are currently working together to develop a new learning space for families. It revolves around the potential of exhibiting a collection of bonbonnieres in this space. These little 18th…

Vizcaya was originally the private winter residence of industrialist James Deering and in the course of the last century has known many identities. In Vizcaya's recent process to refresh our mission and vision, we wondered: What should the role of James Deering be in our new vision? Why does he matter? Why does Vizcaya matter? In exploring…