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Davis, Robert A. – Educational Philosophy and Theory, 2005
Renewed interest in the relationship between music education and cultural identity draws its vigor from strongly divergent sources. Globalized education and globalized musical culture supply new paradigms for understanding the central tasks of music education and their responsibility to a multicultural ethic of diversity, hybridity and difference.…
Descriptors: Music Education, Music, Music Appreciation, Cultural Pluralism
Levin, Andrew R.; Pargas, Roy P. – New Directions for Teaching and Learning, 2005
A particularly innovative use of laptops is to enhance the music appreciation experience. Group listening and discussion, in combination with a new Web-based application, lead to deeper understanding of classical music. ["Appreciating Music: An Active Approach" was written with Joshua Austin.]
Descriptors: Classical Music, Music Appreciation, Computer Uses in Education, Computers
Britsch, Barbara M.; Dennison-Tansey, Amy – 1995
This book offers teachers a practical and theoretical classroom guide to the many ways music and stories may be explored, both independently and in tandem, to give students a better understanding and appreciation of each art form separately and of their power together. The crucial aspect of activities described in the book is original productions…
Descriptors: Books, Class Activities, Creative Activities, Elementary Education
Woodruff, Ernest R.; Heeler, Phillip J. – 1993
One component of a model of creativity, the application of an understanding of elements, was explored through a study of college students applying their understanding of such musical elements as harmony, melody, rhythm, timbre, and dynamics. The 24 subjects were students in a music appreciation class, and the project was implemented using a…
Descriptors: College Students, Computer Assisted Instruction, Computer Software, Creativity
Doughty, Ray – 1987
This document is a South Carolina curriculum model that identifies four broad areas of study. These components, which should be present in all music education courses, are: (1) aesthetic perception and concept development; (2) creative expression and skills development; (3) music heritage, both historical and cultural; and (4) aesthetic valuing,…
Descriptors: Aesthetic Values, Creative Expression, Curriculum Design, Curriculum Development
Burns, Gary; Thompson, Robert – 1987
Rock videos have their antecedents in film and television images, although music in films is usually background music. Television made possible the live transmission of musical numbers with visuals. The musical television commercial is an amalgam of conventions, with background music suddenly erupting into text, unheard by the characters but…
Descriptors: Aesthetic Values, Film Study, Mass Media Effects, Music
Greenberg, Marvin – 1983
These resources and activities are intended to introduce primary school children to and help them enjoy and appreciate the children's concerts sponsored by the Honolulu Symphony. The guide is for the symphony program, "It's Circus Time," for children in grades K-3. The instruments used by the symphony are outlined, and pre- and…
Descriptors: Concerts, Instructional Materials, Listening Skills, Music Activities
Greenberg, Marvin – 1983
These resources and activities are intended to introduce intermediate grade students to and help them enjoy and appreciate the children's concerts sponsored by the Honolulu Symphony. The guide is for the program, "A Musical Space Trip," for children in grades 4-5. The instruments used by the symphony are outlined, and pre- and…
Descriptors: Concerts, Instructional Materials, Intermediate Grades, Listening Skills
Burton, Leon H., Ed.; Thomson, William, Ed. – 1982
Forty-nine music lessons for use in sixth grade classes are presented. A number of these lessons feature songs and musical instruments from or about Hawaii, and lessons stress learning about tempos, accents, meters, notes, and rhythm patterns. The lessons introduce the history of instruments such as the ukulele, recorder, rhythm instruments, and…
Descriptors: Applied Music, Grade 6, Intermediate Grades, Music Activities
Burton, Leon H., Ed.; Thomson, William, Ed. – 1983
This fifth grade text provides music and rhythmic activities for the development of both musical skills and appreciation. The learning of music symbols, notes, chords, rhythm, harmony, and specific songs is stressed. While most of the songs were composed in the contiguous 48 United States, music from Hawaii and from other countries is included.…
Descriptors: Applied Music, Grade 5, Intermediate Grades, Music Activities
Forbes, A. Irving – 1981
In teaching courses on music at the secondary level, teachers should seek to broaden the horizons of beginners so that they may become more enlighted members of the audience world. Most formal courses in music at the secondary level are in the areas of music appreciation or harmony. Music appreciation usually begins with basic theory, with the…
Descriptors: Academically Gifted, Classroom Techniques, Curriculum Design, Enrichment Activities
Carlsen, James C.; And Others – 1970
The Music Educators National Conference sponsored a 3-day intensive research training program in 1969 to prepare participants for research in curriculum development and evaluation. Major objectives of the program, in which 222 music educators participated, were to train each participant to be able to (1) write an educationally useful statement of…
Descriptors: Behavioral Objectives, Curriculum Development, Educational Objectives, Educational Programs
Peterson, A. Viola; Finger, John A., Jr. – 1969
This study is designed to evaluate the musical listening ability that children have acquired through present instructional practices. To obtain an estimate of what children learn, over 3,000 students in grades 4-7 were administered a Melodic Listening Survey (structured into nine subtests) by tape recording under the direction of their own…
Descriptors: Audiovisual Instruction, Auditory Perception, Curriculum Evaluation, Elementary Education
PDF pending restorationSullivan, Franklin D. – 1972
This 9-week, Quinmester program is a survey of music in the jazz idion, particularly major musicians and their music of the last two decades. No musical prerequisites are necessary. Objectives include the ability to distinguish major performers, the blues form, instruments, major compositions and to become aware of jazz as an American art form,…
Descriptors: American Culture, Course Content, Course Objectives, Curriculum Guides
PDF pending restorationPearl, Jesse; Carter, Raymond – 1972
This secondary level Quinmester course is designed to teach the principal types of vocal, instrumental, and operatic compositions of the Romantic period through listening to the styles of different composers and acquiring recognition of their works. The course is intended for students who have participated in fine or performing arts and for pupils…
Descriptors: Aesthetic Education, Course Content, Course Objectives, Curriculum Guides

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