Discusses parents' roles in introducing music to children before birth, in infancy, and throughout childhood. Children need encouragement to listen, enjoy, and explore sounds, music, and rhythm. Schools must continue the process of music education. The article includes a discussion of how parents can tell if schools are successfully exposing…

A project to introduce the music of different cultures into primary and secondary classrooms in London is reported. The six cultures are Indian music and dance, Latin American rock and steel pans, jazz, Indian drums, and Chinese music and movement. The project model is related to multicultural education in general. (Author/LB)

Presents results of a study in which music teachers and students with varying levels of experience and expertise evaluated musical performances. Finds differences in subjects with high levels of expertise are a result of more than experience. Concludes that developing an accurate measure for expertise would aid in obtaining the best role models as…

Reports on a study of third-, fourth-, and fifth-grade students to identify and conceptualize meter in music. Finds that ability to perform these tasks improves with maturity and with use of hand gestures as well as verbal response. Concludes that it is important to match curriculum with the developmental levels of students. (CFR)

Employs Hans Christian Andersen's fairy tale, "The Nightingale," and the many lessons within it to help music educators design learning experiences that foster the development of musical expression. Conveys that without musical expression students' music will be mechanical, not unique and meaningful. (CMK)

Four articles address music and movement in early childhood education: (1) "For the Love of Music--and Children"(Cindy Smith); (2) "Music: The Great Connector" (Thomas Moore); (3) "Learning through Music: The Support of Brain Research" (Elizabeth B. Carlton); and (4) "Music and Movement Bring Together Children of…

Discusses a six month project where pre-K-4 students in a music class explored whether humans were the only beings on earth who could sing or were musical. Explains that the music and science teachers collaborated on this project enabling the students to create hypotheses and test their observations on animals' musical abilities. (CMK)

Asserts that music teachers should help their students understand the value of music by acting as a role model. Explains that in order to become a role model, teachers should actively pursue musical involvement in their daily lives. Provides five questions to guide reflection about teachers' musical lives. (CMK)

This curriculum for Alberta Canada Schools provides for students to grow and develop as performers, listeners, evaluators, historians, and composers of music. An overview is provided for the senior high school choral music program and includes information concerning developmental concepts and the required/elective components of high school music…

This collection of lectures focuses on the learning effects of arts education. Presentations are provided for participants to learn the latest research findings in arts education and the development of theories and practice. The insights can be subdivided into learning effects of arts education and assessment of arts education. Presentation titles…

The effect of the use of interactive videodisc technology to present aural tests was studied in the context of college music appreciation classes. Both experimental and control groups were given study guides that identified the aural objectives for each test and specified the location of the musical examples that were to be used to illustrate the…

An honors seminar at Bloomsburg University (Pennsylvania) investigated the story of Jesus as it has evolved in different media over nearly two millennia. Initially the students studied two gospels with contrasting versions of the life of Jesus, in order to explore the process whereby oral material is transcribed into written form by different…

This weekly syllabus designed for teachers in small schools in Australia uses the Kodaly singing-based approach to teach music skills to students in primary years one through seven. The program divides instruction into four units: year one, years two-three, years four-five, and years six-seven. Teaching plans for each unit contain learning…

A preschool teacher in Japan tells how she uses "the artifacts of advancement," such as the songs children have become familiar with through watching television, to educate "the feeling heart" of young children and lead them to involvement with and appreciation of nature. After a description of the Sasanoha kindergarten in…

This music curriculum catalog contains a current listing of music education curriculum materials available upon request from state supervisors of music. The catalog provides a compendium of the latest music curriculum materials for music educators involved in planning, writing, revising, or evaluating music curriculum. The catalog contains entries…