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Yuanyuan, Chen – English Language Teaching, 2019
Drama courses are widely set up in K-12 education in Western countries, and drama in education promotes both language acquisition and drama acting in the West. Therefore, in the current K-12 education curriculum in China, the practice of offering English drama courses is in line with the needs of students' core competencies development. Drawing on…
Descriptors: Language Proficiency, Drama, English (Second Language), Second Language Learning
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Moser, Beverly – Unterrichtspraxis/Teaching German, 2021
This article reports on an initiative to enrich the German curriculum at all levels via "Climate Stories," a student-centered learning project that capitalizes on the encouraging strides being made in German-speaking countries to combat global climate change. Students identify a real-life "climate story" in the news in German…
Descriptors: German, Second Language Learning, Second Language Instruction, Undergraduate Students
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Post, Ben – Hispania, 2016
Eighteenth-century actor and playwright Eusebio Vela, long thought to be born in Mexico but actually born in Spain, dominated Mexico City's Coliseo theater for decades and has been variously interpreted as a creole patriot or as a Spanish propagandist. Vela's four extant plays, which treat the fall of Spain, Telemachus's wanderings in the…
Descriptors: Eighteenth Century Literature, Drama, Playwriting, Foreign Countries
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Pañares, Alice A.; Cabangon, Maria Gloriosa S. – Research in Drama Education, 2016
Drama in the Philippines has been an integral part of the lives of Filipinos. Drama-in-schools came about with the establishment of the formal school system during the Spanish and American period of colonisation of the Philippines. With the establishment of the public schools system, the American teachers introduced drama in the schools, as part…
Descriptors: Foreign Countries, Drama, Theater Arts, Intellectual Disciplines
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Thompson-Sharpe, Lucy – Changing English: Studies in Culture and Education, 2020
This essay is about teaching Shakespeare, based on my experience of exploring "King Lear" with a Year 7 class. The evidence I use is drawn from one lesson, in which I offered students the opportunity to reject Shakespeare's version of the story. In this, I hope to demonstrate that the act of offering students a choice is a simple but…
Descriptors: English Literature, Teaching Methods, Authors, Drama
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Gray, Christina; Lambert, Kirsten – Asia-Pacific Journal of Teacher Education, 2020
The Australian Professional Standards for teachers attempts to regulate the profession and improve teacher quality. Yet the standardisation of teachers' work has attracted criticism from researchers who assert that a "one size fits all" model for judging teacher quality fails to recognise the affective, enactive and relational aspects of…
Descriptors: Standards, Drama, Extracurricular Activities, Professionalism
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Morrone, Michelle Henault; Matsuyama, Yumi – Childhood Education, 2020
Sweden has undergone many educational shifts in recent decades, going from a highly centralized system with a focus on collective education to a more market-guided system that offers more choice for the individual. Throughout this period, "education for all" has remained the guiding principle of government education policies, though some…
Descriptors: Inclusion, Educational Change, Access to Education, Educational Policy
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Thurman, Chris – Research in Drama Education, 2020
This article considers the opportunities presented by -- and the obstacles preventing -- the adoption of online resources in teaching Shakespeare in South Africa. Taking into account Shakespeare's controversial place in South African education, it addresses the widely differing contexts in which Shakespeare might be encountered in the country's…
Descriptors: Drama, Theater Arts, Classical Literature, Teaching Methods
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Rockwell, Kim – International Journal of Education & the Arts, 2020
This paper takes the form of a detailed report discussing the development, rehearsal and presentation of a short English language "Noh"-style play performed by Japanese university students in 2018-2019. It shares students' perceptions in response to the flow of rehearsals and performances, which were documented with ethnomusicological…
Descriptors: College Students, Foreign Countries, English (Second Language), Drama
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Gallagher, Kathleen; Jacobson, Kelsey – Research in Drama Education, 2018
In this paper, the authors argue for novel, less mimetic, ways to harness "the real" in drama practices. They study particular youth theatre-making practices in a Toronto secondary classroom, both successes and failures, to make the case for an untethering of "the real" from realism's representational aesthetics. They further…
Descriptors: Theater Arts, Theaters, Drama, Aesthetics
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Gibson, Janet Louise – Research in Drama Education, 2018
This article interrogates access through the lens of public autobiographical performances by people living with dementia who, not generally construed as subjects in Western cultures, rarely appear on public stages. This scarcity underscores a strong connection between access and subjectivity, as well as between access, political distributions of…
Descriptors: Autobiographies, Dementia, Performance, Theater Arts
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Hennessy, Laura – Research in Drama Education, 2018
In this piece of writing, I respond to Anon's reflections on her/his experiences of being taught Drama in a British high school, recently published in this journal (see Anon. 2017. '"Where the wild things are" -- an insider's experience of the contemporary drama classroom', RIDE: "The Journal of Applied Theatre and…
Descriptors: Drama, Teaching Methods, High School Students, Art Education
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Mitchell, Gail J.; Rice, Carla; Pileggi, Victoria – Research in Drama Education, 2018
This paper offers an account of how women and gender non-conforming people living with mind/body differences connected and changed during a project of creating a dramatic performance intended to shift understandings of disabilities and differences for various communities, including health professionals. Insights from interviews with artist…
Descriptors: Females, Drama, Reflection, Sexual Identity
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Aden, Fadumo; Theodotou, Evgenia – Journal of Global Education and Research, 2019
The Reggio Emilia approach offers children a unique experience of self-exploration embedded in the arts. This has strong links with multimodal teaching and learning. This is based on the argument that they both offer children the opportunity to communicate in multimodal ways such as drawing, drama play, gestures, music and speaking whilst placing…
Descriptors: Reggio Emilia Approach, Multimedia Instruction, Art Education, Freehand Drawing
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Mori, Arianna; Cigala, Ada – British Journal of Educational Psychology, 2019
Background: Perspective taking, defined as the aptitude to understand the cognitive, affective, and visual point of view of others, represents a fundamental social ability for the development of socio-cognitive and affective skills. Aims: The aim of the present study was to evaluate the possibility of promoting perspective taking in typically…
Descriptors: Perspective Taking, Preschool Children, Intervention, Kindergarten
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