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Austin, Bruce A.; And Others – 1980
The relation between revenues from motion pictures and the picture ratings (G, PG, R, X) by the Motion Picture Association of America was examined. Successful films were those listed by "Variety" magazine as the top revenue producers for the given year. Data were collected for the years 1969-1979. The analysis showed that years in which…
Descriptors: Correlation, Evaluation, Evaluation Methods, Film Industry
PDF pending restorationPhillips, Klaus – 1977
The Department of Germanic Languages and Literatures at the University of Illinois has offered a course on German film for more than five years. This document includes a sample syllabus featuring a listing of the films shown and discussed and an annotated bibliography of texts used, along with a selective list of German films available for rental…
Descriptors: Annotated Bibliographies, Curriculum Guides, Film Study, Filmographies
Michigan Univ., Ann Arbor. Audio-Visual Education Center. – 1975
Sixteen millimeter motion pictures dealing with Japan are listed alphabetically by title and annotated. Length of film, whether color or black and white, and name of producer or distributor is given for each, and a subject index is provided. Films produced before 1960, "sponsored" films, and 35 mm filmstrips are listed without…
Descriptors: Audiovisual Aids, Catalogs, Educational Media, Educational Resources
Mihalka, Gwendolyn C.; Bolton, Gerre M. – 1971
This guide for film study and film making in the secondary English class arranges materials in a sequential order and divides them into four major sections. The section on background information includes: Table of Contents, Design for Use of the Guide, Rationale for the Use of Film Study in the English Class, Objectives for a Film Study and Film…
Descriptors: Course Descriptions, Curriculum Guides, English Curriculum, Film Production
Tyler, Parker – 1972
This book is a critical biography of filmmaker Charlie Chaplin. Chaplin's life is traced in interpretative fashion from his birth, with special interest centering on the people and events in his life that molded and influenced his creative activities. Discursive criticism of Chaplin's films, identifying their child-like world view, for example, is…
Descriptors: Acting, Auteurism, Biographies, Comedy
Mast, Gerald – 1973
This book surveys the history of comic films from the beginning of this genre to the present and analyzes the nature of comedy in general and the comic film specifically. The early film makers, especially Keaton, Sennett, and Chaplin, receive detailed attention as originators of the sub-genre of silent comic film. The special characteristics of…
Descriptors: Audiovisual Communications, Auteurism, Comedy, Film Production Specialists
Munden, Kenneth W., Ed. – 1971
This two-volume catalog describes all feature length films made and released in the United States from January 1, 1921, through December 31, 1930 (6606 films are listed). Each film entry includes its title, physical description, production credits, cast credits, and a description of the contents. Films are labeled by subject (for example,…
Descriptors: Audiovisual Communications, Auteurism, Catalogs, Film Production
Kinder, Marsha; Houston, Beverle – 1972
Based on the assumption that critical viewing can broaden the range of films one can respond to, increase understanding, and ultimately lead to an intensification of subjective response, this book offers a critical approach to experiencing movies. After explaining the critical method to be used, several films in the context of different aesthetic…
Descriptors: Aesthetic Education, Analytical Criticism, Documentaries, Film Production
Peer reviewedPoague, Leland – Journal of Aesthetic Education, 1985
The relationship of film meaning to film criticism and film education is examined. Film scholarship needs to be more self-conscious in regard to the language used and to its value assumptions. (RM)
Descriptors: Aesthetic Education, Content Analysis, Ethics, Film Criticism
Feuer, Jane – Journal of the University Film and Video Association, 1983
Provides a course description that emphasizes a structural and functional approach to the musical as genre film and as entertainment. Covers the history of the genre from 1929 to the present. (PD)
Descriptors: Course Content, Course Descriptions, Dance, Film Criticism
PDF pending restorationReid, Seerley, Comp. – Office of Education, Federal Security Agency, 1949
This directory of 16mm film libraries has been compiled in order to help teachers, school administrators, and community leaders locate and obtain motion pictures for use in education. It is a revision and expansion of the 1948 Office of Education publication, "A Partial List of 16mm Film Libraries," which contained 576 libraries. The directory is…
Descriptors: Libraries, Instructional Films, Film Libraries, State Schools
Bittner, Robert – Educational Broadcasting International, 1973
A discussion of the three major functions of a film archive: input, storage and output. (HB)
Descriptors: Archives, Educational Media, Film Libraries, Films
Seymour, Jim – Audiovisual Instruction, 1973
A proposal for one possible route to determining an equitable basis for school districts and other end-users of educational films to produce in-house video copies of those films, while not violating the rights of the holders of copyrights on the films. (Author)
Descriptors: Audiovisual Aids, Copyrights, Fees, Film Libraries
Peer reviewedBarker, J. A. – Journal of Biological Education, 1972
Descriptors: Animal Behavior, Audiovisual Aids, Biology, Films
Cook, Pam – Screen Education, 1979
Reflects on the evolution of a British Film Institute course in avant-garde film. Discusses the historical development of the genre; production, distribution and exhibition of avant-garde film, as well as political relevance. (JMF)
Descriptors: Activism, Course Content, Curriculum Development, Film Production


