Much has been written on the topic of critical pedagogy since the Brazilian educator Paulo Freire brought his critical approach and theory of knowledge to the world stage in "Pedagogy of the Oppressed" in 1968. As a self-reflexive pedagogy, it is in a near constant state of shaping and re-shaping. Through all of this, critical pedagogy…

The purpose of the study was to observe the understanding and motivation of second-grade Tier III students' achievement in skip-counting patterns by implementing music and non-music learning activities. The case study was performed using a qualitative design. A pretest-posttest and repeated measures design was used to analyze and triangulate the…

The purpose of this study was to gain a better understanding of music educators' perceptions of ways in which marching band and college music education curricula connect. By examining the music educators' perceptions, the study hoped to influence existing collegiate music education programs by providing possible avenues of interdisciplinary…

Throughout recent decades, there has been a surge in work to create a diverse classical music canon by finding and promoting works written by composers of underrepresented identities. Despite these efforts, one area that has received little attention is the music written by women during the 18th and early 19th centuries. Reviving the works of…

The primary purpose of this study was to investigate the effects of a singing-aural imitation treatment on collegiate instrumentalists' jazz performance achievement and self-efficacy to play and teach jazz and improvisation. A secondary purpose was to investigate to what extent various background variables might relate to jazz improvisation…

The purpose of this study was to investigate non-music major college and university students' self-efficacy beliefs and their perceptions of the four sources of self-efficacy as they related to their participation in active music making and creation in college (e.g., ensembles and musicals, group and private lessons, music theory classes). An…

The purpose of this qualitative study was to explore collegiate musicians' lived experiences with democratic rehearsal procedures in a concert band setting. A constructivist worldview and phenomenological framework were used to examine participants' experiences using their own words through weekly written reflections, pre- and post-…

Nanyin, a traditional Chinese music genre originating from Fujian Province, China, encompasses a wide range of singing and instrumental playing techniques. This study aims to analyze the historical development and performance form of Nanyin in Quanzhou, Fujian, China, employing an interdisciplinary approach that incorporates musicology,…

In this paper we discuss the musical work of classical composer Benjamin Britten as a lasting legacy for public music education. Our starting point is the contemporary urgency to rethink both public music education in general, and the public-educational significance of Western classical music in particular, in the face of the dual threats posed by…

Historically, the piano gained significance over the years with the performance techniques that composers put forward in their works. In parallel with this developmental journey, the improvement of the art of interpretation led to the emergence of new playing techniques throughout periodical changes. The romantic era can be presented as an example…

Because Western art music is harmonically more complex than popular music and because it is written with musical notation, it may be challenging for certain people with no music training (non-musicians), those who did not grow up with Western art music, or those who did not choose to listen to this type of music for enjoyment to understand and…

In this qualitative study, we share the musical experiences of seven Ghanaian university music students who primarily play a brass instrument in a university band. The purpose of this study is to illuminate these students' musical experiences during their pre-tertiary years to better understand what those experiences were and how they impacted…

This article develops the concept of "low-end phonographic pedagogies" through a life-long engagement with vinyl records and the Afro-diasporic music practices of reggae, dub, and dancehall. Approaching my record collection as a counter-archive of vibrational feeling and learning, I explore everyday practices of playing and listening to…

This study addresses the need to accurately assess social emotional learning from a quantitative perspective. As school districts evaluate the allocation of educational resources, data is used to inform those decisions. Social emotional learning (SEL) is gaining prevalence in the field of education. However, an accurate way to measure that…

In this article, we, culture bearers and music educators, discuss ways of using East Asian virtual musical instruments to promote culturally diverse music activities in classrooms. We introduce affordable tablet-based virtual instruments (Korean "hyang-piri," Chinese "erhu," and Japanese "koto") and hands-on music…