A fun, simple, musical role-playing exercise that allows students to actively step through and visualize the biochemical steps of the Calvin cycle. This musical can easily be completed in about 15 minutes with more than enough time during a 50-minute class period to review the steps and clarify the process further.

Piers Spencer and William Salaman edited the" BJME" between 1998 and 2002. During this period, a number of articles they published gave positive accounts of developments in instrumental teaching and learning, composing and creative music-making, and the increasing role of technology. Less happy findings emerged from investigations into…

In this article, a qualitative, collaborative study on two students' preparation of public performances of guitar duos is presented. A cultural-psychological perspective was used, and data were collected in natural settings. Participants' processes of finding interpretations are characterized by complex strategies, based on individual familiarity…

This article looks at ways in which the notion of music as a language with a literature operated in English girls' secondary education in the inter-war years. It explores musical literacies and multi-modality in the music curriculum of two inter-war music teachers working in girls' schools: Margaret Donington and Annie Warburton. Both contributed…

This phenomenological investigation examined the lived experience of technically-oriented students over the course of a single semester, attempting to answer the question, "What was it like for a student to experience the spatial ability phenomenon?" The study included 12 interviewees and 8 focus group freshman participants at a Midwestern…

In this article, jazz music is used as a lens through which early childhood music pedagogy is viewed, specifically thinking about swing and improvisation--the listening and responding to what is heard and seen, and the openness to possibility. These two concepts are defined by prominent jazz musicians and are traced in the child development…

Randomly chosen high school choristers with extensive training in solfege syllables and Curwen hand signs (N = 38) are asked to sight-sing two melodies, one while using Curwen hand signs and the other without. Out of a perfect score of 16, the mean score with hand signs was 10.37 (SD = 4.23), and without hand signs, 10.84 (SD = 3.96). A…

This study examined the effects of playing by ear in selected keys on the abilities of musicians (N = 28) to play by ear and sight-read in those keys. Middle school band students in the experimental group learned melodies by ear in one familiar and two unfamiliar keys, and did no music reading in the new keys, while students in the contact-control…

The rewards of band membership may be clear, but in tough economic times, with schools, teachers, and students facing new obligations around every corner, it is not always easy to keep a band on track. And so a question arises, one that has relevance both for teachers who want to start a band program from scratch and for veteran band directors…

This article looks at STTEP, an outreach project currently housed at the University of Pretoria, which concentrates on the teaching of western orchestral instruments, plus background areas such as music theory, to disadvantaged children and youth from a variety of townships around Pretoria, South Africa. STTEP's direction can well be described as…

Two practical problems faced by national youth organisations devoted to the transmission of European classical music-making across the generations are: (1) how to assist individual pre-professional young musicians to enter their desired career path; and (2) how, in the interests of social justice, to provide access to music-educational…

Research suggests that young children's active participation in music supports emergent mathematics knowledge, such as patterning and one-to-one correspondence. The authors define and explain steady beat, rhythm, melody, tempo, dynamics, rhythm, and style. They suggest ways teachers can use these elements of music with infants, toddlers, and young…

The purpose of this paper is to discuss, utilising Miller's theoretical framework for social justice, findings of a research study examining the dramatic musical and educational results of an alternative music education programme in Toronto, Canada. What is particularly striking about the findings are the ways in which the participants (youth…

The purpose of this study was to take a look at the academic achievement of students who are involved in co-curricular when statistically compared to the performance of their peers who are not involved in co-curricular activities. The scope of the investigation only includes high school students and the relationship between their involvement in…

There is so much to learn about each branch of music education that most teachers continue on a narrow path throughout their careers. Since Henry Ford started the first mass-production assembly line in the early 1900s, there has been a tendency for people in American society to specialize, and some educational leaders strongly recommend that…