Notes that interaction between writers and interpreters can improve a sometimes tenuous relationship. Provides classroom assignments, performance activities, and workshops to promote interaction and understanding. (PD)

Examines performance as a literary critical method. Describes group performances of James Dickey's "The String" in an advanced college interpretation course, and considers two central issues: (1) what is learned through the performance of a specific literary work; and (2) what features of a concrete text require performance attention,…

Junior Great Books Curriculum model uses interpretive discussion within the reading process to help students of all reading abilities understand literature, or construct inferential and thematic meaning from their reading. Program was piloted in third-grade classes in 13 Chicago schools between 1989 and 1991. The model's cornerstone is the…

Discusses the advantages of actively using poetry in the classroom, such as development of students' language and communications skills, imagery and aesthetic appreciation, and confidence in reading and oral presentation. Offers examples of poems used on a monthly basis in the classroom, how they are used, and ways to integrate poetry with other…

This study was designed to examine factors associated with literal interpretations of homonyms. Participants were 212 second graders, ages 7;0-8;11, who listened to a story containing 16 key words. The key words were homonymous words ("pseudo-homonyms"), nonsense words, or familiar words used accurately. While listening to the story, children…

For 3 years, Texas A and M University Kingsville (formerly Texas A and I University) has provided a basic oral interpretation course for teachers specializing in reading on the elementary level. After teaching the course once, the instructor decided to adapt the course to the needs of the students by using children's literature instead of adult…

Analysis of speech communication studies reveals a number of themes in the arts. A central concern in studies dealing with oral interpretation is what should be the focus in the oral interpretive act. The shifting priorities parallel the shift in emphases occurring in speech communication as a whole: performer/delivery; text/message;…

This collection of abstracts is part of a continuing series providing information on recent doctoral dissertations. The seven titles deal with the following topics: (1) the effect of relaxation training on anxiety for the poetry recitation tasks among elementary school children; (2) musical theatre in higher education; (3) developing faith…

Since the American Forensic Association has sanctioned recording individual events competition, it might be in the interest of competition to combine oral interpretation and radio/television broadcast competition into simultaneous competition. Voice development is a goal shared by oral interpretation and broadcasting, so oral interpretation…

For those analyzing oral interpretation performance, the theory of Symbolic Interactionism can be used to explain two interrelated phenomena that occur during the performance: expanded understanding of the text (emergent meaning) and expanded understanding of oneself (development of the self-concept). George Herbert Mead, a founder of Symbolic…

Within the realm of forensic oral interpretation, concern over the use of profanity in presentations has aroused repressive criticism from some judges, who then express their offense by ranking the performance negatively. This judicial opposition is deleterious not only to the precepts of oral interpretation, but also--in a larger sense--to the…

Most performer-writers accept the writing process simply as a means to an end: the shared performance event with a live audience. While writer-performers regard a script as more important than the performance, a solo performance is, however, a showcase of the artist's talent, and creating one's own text offers the performer artistic control. Some…

Creative understanding as a facet of comprehension is the prime objective of reading instruction. Understanding what is read is basic to any aspect of learning, but the learner should be prepared to go beyond mere understanding and to use information gained to further enrich his experiences and knowledge through critical analysis, creative…