Maintains that children's success with drones, responsorial singing, and ostinatos in the primary grades can lead naturally to the singing of polyphony and homophony in the upper elementary grades. Recommends teachers using age-appropriate materials, teaching sequentially, and evaluating each instructional step. Lists national standards related to…

Provides a historical overview of the development of music programs in U.S. community colleges, drawing a parallel between their growth and expansion, and the evolution of two-year colleges since the early 1900s. Includes 40 citations. (JDI)

Excerpts teacher narratives of children's music activities in inclusive early childhood environments to show how music can be used to offer varying levels of engagement ranging from listening or observing to joining in as an active participant. Summarizes the beliefs of the National Association for Music Education for guiding developmentally and…

Maintains that preschool children can develop basic musical knowledge/concepts that include steady beat, tempo, melody, and volume through such musical activities as the singing of developmentally appropriate songs. (BB)

Raises a central issue in music education: whether performance is an end in itself or whether it is ancillary to something else. Discusses the traditional aesthetic education notion of musical performance and develops a new concept of the nature and values of music performance in music education. (KM)

Maintains that the founding of the School of Music at the University of Illinois in 1892 was the result of a decade of effort by teachers, students, and administrators. Describes the history of music education at the University from the 1870s until the founding of the music school. Discusses the curriculum and music activities during the founding…

Describes how a local symphony orchestra changed its educational program for children to improve attendance and heighten music appreciation. Discusses the rationale for the new approach and includes descriptions of themes. Concludes that music appreciation programs must identify and utilize various motivational approaches. (CFR)

Maintains that choral music conductors strive to choose a variety of musical styles, genres, and historical periods. Discusses three types of programming approaches: (1) chronological; (2) thematic; and (3) concept. Includes four tables illustrating selection and pacing of choral music during a concert. (CFR)

Provides seven fully integrated library media activities to be used in connection with curriculum units in art, music, reading/language arts, science, and social studies. Library media skills objectives, curriculum objectives, grade level(s), resources, instructional roles, activity and procedures for completion, evaluation, and follow up are…

Summarizes discussions at a symposium of the Music Educators National Conference (MENC) of multicultural music education. Offers ideas about the teaching of African-American, Native American, Asian-American, and Hispanic music. Presents MENC's resolution supporting multicultural music education. Describes the symposium as a major event in…

Bases a music participation theory on findings in music education, ethnomusicology, and sociology of leisure. Posits six types of music participants: professionals, apprentices, amateurs, hobbyists, recreationists, and dabblers. Distinguishes each type by theoretical variations in cost-benefit relationships as perceived by participants. Discusses…

Describes a summer school program in which secondary students collaborated to build an opera company. Details the activities of seven days in the first stage of the three-stage project. Concludes that the experience built democratic values. (CFR)

Describes a high school music program in which students form strolling performance groups. Explains that violinists, violists, and even cellists play as they stroll through audiences. Suggests that strolling strings programs benefit both students and teachers by providing opportunities for creativity and enhancing musical skills. Provides a list…

Contends that the Dalcroze method, involving movement (eurhythmics), singing exercises (solfege), and improvisation, open new possibilities for effective instructional techniques in the music. Describes the three aspects of the Dalcroze method and provides examples. Lists six Dalcroze-method teacher education summer programs in the United States.…

Describes the use of "Recorder Teacher," a computer software program that teaches elementary students to play the soprano recorder and compose their own music. Highlights include reinforcing music concepts; using written and auditory examples in the software; and testing on fingering and reading. Sample screens are included. (LRW)