Describes how teachers and caregivers can create music environments in early childhood settings that connect to other areas of development. Discusses how music environments can accommodate free-choice participation, describes the caregiver's role, and suggests music activities. Includes definitions of musical concepts for young children, also tips…

Describes the technique of scordatura, and the different unusual notional principles, as a means to exploring the Baroque repertoire. Explains that scordatura pieces indicate, using either the term discordable or discordatura, that the established tuning must be altered by mistuning the instrument. Concentrates on Domenico Gabrielli's "Seven…

Provides a survey of elementary school student attitudes toward activities traditionally used in the music classroom, as well as activities related to the elementary music program, in order to assist music educators in making decisions about activity modes for instruction that appeal to children at different age-levels. Discusses the findings in…

Describes how performing (of music, drama and other things from elementary school through college) has helped each of the author's three children (three very different people) along their respective paths, helping them to reach their goals and feed their souls. Argues that such programs in the schools are priceless. (SR)

Matches a number of famous musical compositions with literary works that can be paired for interdisciplinary lessons. Lists musical and literary works appropriate for grades 1-12 ("Samson et Delilah" by Camille Saint-Saens and readings from the Book of Judges for grade seven). Includes a list of video resources. (MJP)

Recommends commissioning new works as a challenging and motivating learning experience for high school and college bands. Includes several guidelines for negotiating costs and performance rights with the composer, as well as other technical details. Discusses specific problems arising from this arrangement and possible solutions. (MJP)

Explores the concept of aims in music education through investigating the ideas of four philosophers: Wolfgang Brezinka, Richard S. Peters, Bennett Reimer, and David Elliott. Inquires into the empirical and logical aspects of aims and clarifies the relationships between "musical behaviors." Concludes by discussing the relevance of conceptual…

Argues that music is a powerful way to motivate students to read. Discusses reading picture books made from songs or written by musicians; using music to set the mood; combining poetry with music; and using instruments or sound effects. Lists picture books made from songs or written by musicians, books for mood music, and books with musical…

The purposes of this study were to examine (a) whether grade-level differences exist on self-evaluation tendencies over time, (b) if grade-level differences and evaluator differences exist, alone and in combination, on music performance evaluation, (c) if relationships exist between student self-evaluation and expert evaluations of music…

This study investigated the role of concurrent musical parts in pitching ability in sight-singing, concentrating on the effects of melodic and harmonic coherence. Twenty-two experienced singers sang their part twice in each of four novel chorales. The chorales contained either original or altered melody and original (tonal) or altered (atonal)…

Although the National Standards include achievement standards for improvisation for elementary school students, music teachers sometimes are reluctant to pursue improvisation study with young students. First- and second-year instrumental students, often older elementary or middle school students, may have difficulty studying improvisation because…

The purpose of this study was to follow the development of mariachi music from its origin in the rural cultural celebrations of Mexico to its contemporary position in American music education. A dominant factor in traditional ceremonies, mariachi music emerged as the primary musical representation of Mexican nationalism in Mexico, a representation…

Beginning a community youth orchestra can be one of the most rewarding--and draining--experiences in music education. Forming a group requires administrative expertise, interpersonal skills, expert musicianship, and a lot of elbow grease. The author used all these attributes and skills when he founded the Spanish Fork (Utah) Chamber Players…

The first British patent describing an educational game designed for musical "amusement and instruction" was granted in 1801 to Ann Young of Edinburgh, Scotland. The authors' discovery of Young's game box has prompted an examination of the nature and purpose of the six games she designed. Ann Young's patent is discussed in the context of…

This study explores the centrality of information technology (IT) to Chinese students' experiences in music lessons. Students involved in this qualitative and quantitative study described the possibilities of using technology when learning music. From among the students of 15 Shanghai secondary schools, 1741 responded to a written questionnaire…